Artistry, Marketing, Love

Artistry, Marketing, Love is a seven week course about how you can:

* be a productive artist,
* sell your work without selling out,
* and do it all with self-love.

However you express your creativity—eg in the arts, as a spiritual healer, or an herbalist—this class is for you.

imageThe class meets by phone. No computer or special equipment needed. Just dial your phone. We meet seven consecutive Tuesdays, 6:00 to 7:00 (EST), starting Tuesday May 14. Reserve Tuesday July 2, same time, for a makeup class in case I’m unavailable for one of the planned sessions.

Does my class sound unbelievable? A recent client went from a near standstill to consistently producing art, having a website, running an active Etsy shop, and winning national art contests. From her one and only experience with me—a one hour session!

I will address your specific concerns.

Do you think you are an exception? You can earn your living doing what you love.

Tuition is $250. You might pay long-distance charges, depending on your long-distance plan. They will appear on your phone bill. The event has a U.S. area code.

Every spiritual teacher promises to make a difference in your life. But I actually can. Have I proven worthy of your trust by facilitating a major breakthrough for you via a class or book? Sign up, let’s change your life more.

If you need more info, or want to discuss scholarship, partial scholarship, payment plan, or trade, call me 814-337-2490. No refunds. A few days before the first class, you receive event phone number and other details.

Does life too often keep you from doing what you love? Do you want the secrets of ethical marketing? Sign up.

Are you already a working artist (or working psychic, or working…) who wants more success or to be more productive? This class is for you too: Its principles and methods work for the inexperienced and experienced.

I already love you, I am extraordinarily skilled at my work, let’s do this.

Posted in Classes, Books, and Other News | Tagged , , , , , , , , , , , | Leave a comment

Wearing Joy: Talismanic Clothing

FeyScarf4MeSetColg

I am so happy that if I don’t share, I am going to burst. I am excited bc not only do i get to adorn moi, but my art has really taken a leap forward.

For the first time in years, I was able to add a slew of gorgeous pieces to my wardrobe. Had great fun as a fantasy artist, making myself fey-touched clothing that is street wear instead of costume. I painted and/or dyed all of it, including items already in my closet, which got radically upcycled, yay!

KindaSwiss2013Collage

I consciously created a wearable manifestation of the inner joy that deepened in me recently. I’ve experienced great ecstasy in my life, so hitting this new level means feeling high high high.

imageThis happiness resulted from tres difficult inner work for a month or two, during which I bounced back and forth between painful breakthroughs and new capacities for joy, which had been blocked til said breakthroughs.

(Click on the smaller pics to see them unblurred and large.) The inner work was necessary to 1) teach the faerie shamanism class I just finished and 2) give a month-long spiritual transmission I did during that time. I’m not complaining, almost nothing makes me happier then being a spiritual guide. And no one in class or receiving the transmission was difficult. Rising to the occasion of truly serving simply requires that I always keep growing. Wheeeee! For one thing, amazing people bless me by being my students and clients; I want to be a teacher worthy of them. For another, I try to nail every single bit I do for them, because I believe it vital that, as much as possible, anything I give as a shaman be amazing and important.

And it just so happens that the past month or so required particularly painful, difficult growth.

SilkOutfitCollage1SilkOutfitColage2

Creating wardrobe helped fuel me through the growth. The painting, dyeing, and designing has been a transformative ritual. It was also part of the larger ritual that we (the people in the class and receiving the transmission, and myself) performed. (I look forward to giving them the url to this post.) I love how fabric art feeds me spiritually so that I can be the best possible shamanic guide for my clients. Especially since being a shamanic guide is my primary art form. Isn’t it awesome how allowing all one’s aspects to emerge and combine makes one whole?

SummerWrdrober2013A1WTxtFabric painting as ritual should not be used to avoid honestly facing the pain of growth. Fabric magic can’t replace the daily spiritual disciplines that transform me, get me through hard times, or allow my gods to keep me empowered and on track ethically. But this recent fabric art has been an awesome additional tool for inner growth.

I made more items, some of which I’ll post soon, as part of a blog on clothing oil painting, and the rest of which are not done yet. In the meantime, scroll down for more photos of the wardrobes I already finished.

FeySkirt2013Collage

FeySkirt2013Detail7CropOB&TextRedDressCollage

SUmmerWardrobe2013WTxt

Thank you for the privilege of sharing my happiness with you.

Posted in Art, Writing, and Music, Spirit, The Whole Thing | Tagged , , , , , | 2 Comments

Depression Healing

StardrnchdCertntyHeart1SmallWhat pain has dwelt in silence too long?
What muted scream of terror unheard?
What outrage ignored as, around you, life after life after life is devastated?
What pain in you? Find one such pain, right this moment.

Now, draw that pain into a different silence:
Draw it into the quiet of a mother’s loving embrace.

Draw that pain into the quiet still love of a gentle voice saying to you,
“Yes, you hurt.
You hurt because life is hurtful.
I honor your pain.
Do not shame yourself for your pain.”

Draw that pain into the quiet still love that is this moment.

StardrnchdCertntyHeartWelcome your pain into the silence that is love.

Welcome your pain into your heart,
let no part of you stand apart,
rejected, mutated into “the other.”

Welcome your pain into your heart.

TheWorldTreeTakesCareOfMe2012Detail2Instructions: 1) The fourth line says to find only one pain, because it is often best to work with just one pain throughout the ritual. Trying to deal with too much at once can be self-defeating. You can always apply the ritual to other pains other days. 2) However, when working with the pain you chose to focus on, other pains might come up, and need addressing right then and there. Welcome them into the loving silence. 3) Do each step that the poem designates, before moving onto the next step of the rite. Example: The first instruction is “Find one such pain, right this moment.” Do so before moving onto the next step, which is “Now, draw that pain into a different silence: Draw it into the quiet of a mother’s loving embrace.” 4) This is a powerful rite. You may need support after doing it. I provide professional shamanic support: https://www.outlawbunny.com/pastoral-counseling/

StardrnchdCertnty2012-03When I channel lessons and transmissions for others, I usually try to apply the material to my own life, too. Some shamanic lessons and transmissions (which are kind of one and the same) that I’ve been giving lately have been very effective in moving my own energy. That is not unusual, but this has been stronger even than usual. Massive shifts happened in me and caused such beauty and self-love. But then a major depression hit, like I have not had in ages. I think, and hope, it is a backlash of spirit, a healing crisis so that, when I get to the other side of it, I will be happier and fuller than ever. Today, I seem to be moving past the depression. I hope I am, depression sucks! I wrote this liturgy today, for myself. It helped both me and a depressed friend, so I share it here because I love you too.

Posted in Spirit | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 2 Comments

Sugar Addiction and Mindfulness about Food

Rabbit GypsyTo give this post context, here is my personal definition of mindfulness about food, oversimplified for brevity. I have written it as an affirmation. As such, it expresses an ideal, which i strive toward but do not boast of achieving:

I take responsibility for my health by trusting my body. I am aware of its responses to food, noting what makes it feel better immediately and longterm, listening to (and sometimes abiding by, other times resisting) cravings, and otherwise studying my physical, emotional, and spiritual landscape consistently, the way a farmer studies earth and sky. My intuition helps guide food choices. I don’t mistake irresponsibility to myself for freedom. I make adult choices, instead of letting addiction, mood swings, or childish rebellion make them for me. I am willing to have the discipline, organization, and planning that healthy eating requires. This includes allowing myself to do without some foods that I enjoy. I understand a food that makes me feel good momentarily might cause me severe illness and depression in the long run. I refrain from saying, “I do not want to be rigid” if it’s an excuse to hurt myself with food. I indulge in ways that don’t hurt me. My food life is joyful. And with that:

Since 1980, I’ve basically been sugar free. I’ve also refrained from honey, maple syrup, corn syrup, and rice syrup. All this
* has given me the mental clarity to be successful in my career,
* provided emotional clarity,
* is one reason I’ve survived MS,
* and has allowed my shamanic skills to develop. (Sugar clogs every psychic pore in my body, but that is only one way it interferes with my mystical development.)

DandelionsMy experiences personally and in my shamanic work with clients has led to opinions you might find applicable:

It is awesome that people are talking about listening to your body and related beneficial choices, eg letting go of gluten when your body tells you to do so, no matter how common a foodstuff it is in our culture. However, in some ways, mindful eating is a waste of time unless a more core issue is addressed: sugar.

Sugar causes far more disease than all the gluten, other allergens, and pseudo-foods combined. When i say “waste of time,” I’m not suggesting you forsake healthy eating until you can forgo sugar. Anything we do to improve our health is important, and provides stepping stones to even greater action. However, in the meantime, good choices may take someone two steps forward while the sugar will take them twenty steps back, over and over, until they are very ill.

StardrnchdCertntyHeart2Sugar is a drug—a deadly drug that can numb the ability to know what your body wants. In the same way you might not know what your body wanted if you were drunk on alcohol, you might not know what your body wants if you’re drunk on sugar. Again, I am not making an all or nothing statement, am not insisting that anyone who eats sugar becomes unaware of their body’s needs. But it is true for some people. And sugar makes some very aware folks a lot less aware than they could be.

In addition to numbness, sugar sets off a series of physical and emotional “screams” for more of what hurts you, whether more sugar, other health-ruining foods, or health-destroying binges of real food. In the midst of that loud insistent screaming, you cannot hear what your body truly wants.

Letting go of sugar can be the root of mindfulness about not only food but also life. Just like stopping drinking for an alcoholic allows them to start becoming more spiritually aware.

However, sugar is an addiction. It will not be easily let go of. And it is a societally endorsed addiction, because sugar stupor can make us pliable, less mentally vigorous, unlikely to stand up for ourselves, or unable to pursue our dreams.

If this blog is irrelevant to you, ignore it. If your experience is different than mine, rock on! But i suggest you not rule out the whole blog just bc some part of it does not reflect your experience. For example, maybe you achieved your dreams, driven by candy bars. Perhaps without sugar, you would have achieved more of them or been successful without your health suffering. Please read this post for its gist, not pick apart its details.

I suspect sugar is more addictive than any other drug. Which does not mean a person can not overcome the addiction. It means they need support to kick this terrible, destructive habit. I hope this post provides some bit of support.

Sugar addicts are so threatened by talk about stopping imbibing sugar that they attack. So I except to be misquoted and otherwise misrepresented. An addict tends to misunderstand words that discuss letting go of their addiction.

I risk attack because i hope this blog helps someone out of the hell of addiction. I would love to hear supportive responses, please, so I do not feel like the Lone Ranger.

—————
Want control of your life? Need inner shifts to make healthy life choices and stick by them? I am repeatedly told that a single shamanic counseling session with me “changed everything”: https://www.outlawbunny.com/pastoral-counseling/

Posted in Spirit, The Whole Thing | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 12 Comments

Silk Luminaries DIY

Luminaries

I love candle light and pretty candleholders, but my rambunctious kitty would set the house on fire. Elizabeth Buffington suggested I whipstitch 3″ square silk “hoops” together to make a luminary with LED tea lights.

I got obsessed creating designs, so you have a range from which to choose. We’ll start with drop-dead easy, and progress to more technical or time-consuming versions. And check out More Helpful Hints at the end.

Whipstitch four square 3” silk “hoops” together as shown in the photo below; note they’re sewn with all their fronts on the same side. I used White Silk Sewing Thread because it would dye the same as the hoops’ silk. Don’t connect the end squares; the luminary will stand fine without that; and dyeing or painting panels would be hard were the ends joined. In the photo, also note that you can also make a three-sided luminary:SewCollage

Trial and error showed me: 1) As I sew, I should keep checking that my stitches are neither too loose nor too tight. In other words, tight stitches make a stable, well-shaped cube but, if too tight, they do not allow right-angles to make a cube (a cube with no top or bottom, by the way). 2) I shouldn’t insert the needle right up against the metal frame; but the distance between the frame and point of insertion needs to be minimal.

If you enjoy white silk’s luminous simplicity, your work is done! Perfect for one quick and special lighting accent, or a batch of luminaries for an event. See the opening collage’s lower left-hand corner for these peaceful elegant cubes.

Simply dyeing the squares with Jacquard Green Label Silk Dyes (use a silk-painting brush) also looks great. Do all four (or three) panels the same color or each panel differently. Wear gloves to avoid stained hands. Applying dye:DyeSquaresClg

Center of the opening collage, you can see the green and yellow luminary, green side showing.

If you want to take it a step further, let the dye dry, then draw on the front panel or as many panels as you want. I drew a fairly simple picture and, if you can only make an even simpler drawing, rock on! The most basic easy lines, like a spiral on just one of the squares, looks awesome! Simple drawing ideas: leaf; cute smiley sun. I used Lumiere Pearlescent Blue, which is thick, and I wanted some of its lines delicate, so I used a very fine brush. Here is the result (Taking candlelight pictures is difficult. So I photographed finished luminaries in my window, to help you better see what they can look like):Finis3Clg

Another variation: Dilute the dyes for a colored wash. Dyes look much darker when wet, so don’t dilute too much. I chose to blend three colors in each square, which has to be done before any of the three dry, to avoid watermarks.Finis4Clg

If you want to be more elaborate, draw over the wash once it is dry. You can use Lumiere or Jacquard Permanent Water Based Resist. I applied resist using a resist applicator bottle with Tip #5. A syringe is an easy way to get resist into that little bottle. Otherwise, it can be messy and difficult. Cut off some of the syringe tip, or its opening will be too narrow, because resist is very thick.Syringe

I used both Gold and Bronze resist. For instructions on how to use resists, check out this blog. Another finished luminary:Finis4Clg2

You could also write a word. I chose “joy.” Simple letters looks great backlit by candles, but I love ornamentation. I also got carried away and wrote/designed a luminary picture-poem (a plain color panel is the back). This luminary has both resists and Lumiere:Finis1Clg

If you prefer, paint on undyed silk, with Lumiere or resists. These lighting
accents lend themselves to the simplest designs, but I got carried away again.
My design is a heart growing flowers into the other panels:NoDyeClg

Though the above works as a finished piece (check it out in the opening collage, middle and all the way left), I took it further. This final version is the most complex of these luminaries. Dye spreads every-which-way on silk unless resist lines contain it. Dharma Trading Company says about this use, “Of all the products Dharma carries,…resists are the most technically difficult to use.” Drawing with resists in the above variations is good practice before using them to block spreading dye. The instructions in this blog can also really help.FIllnInDyeClg

After the dye dried, I finished with some Lumiere Pearlescent Blue: Finis2Clg

More Helpful Hints:
* Do not block the LEDs from shining out through the silk. In other words, Lumiere and resists are opaque, so should be used sparsely.
* If you wash more than one color onto a square, they overlap to make new colors; either be knowledgeable about color mixing or enjoy surprises and be willing to build on them.
* I used the same colors for all the luminaries, because I wanted a set. Color repetition meant I could have different designs without sacrificing an overall matched look.
* But just one luminary provides a lovely accent on a fireplace mantel, bureau, or sacred space.
* Put one or several LED tea lights in a luminary. (I bought my lights, three for a dollar, at a Dollar Tree.) I suggest you do not use real candles, I think they would set the silk on fire.
* These dyes and paints are not set, so do not get your luminaries wet.
* You can only win with this project: Whatever your level or type of skill, there are ways to apply it, and even the basic version alone is easy and stylish.

Posted in Art, Writing, and Music | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 6 Comments

How to Use Resist

How to Use Jacquard Permanent Water Based Resist in Silk Painting

Guardian Ancestor, silk painting, Francesca De Grandis

by Francesca De Grandis, using Jacquard Permanent Water Based Resist and Jacquard Green Label Silk Dyes. All the black lines are resist.

Some folks want me to share how I use resists,  hence the following instructions.

Dye spreads every-which-way on silk unless resist lines contain it. Dharma Trading Company, a major retailer of fabric-art supplies, says, “Of all the products Dharma carries,…resists are the most technically difficult to use.” I hope my little how-to helps:

I apply resist using a resist applicator bottle.

A syringe is an easy way to get resist into that little bottle. Otherwise, it can be messy and difficult. I also wasted a lot of resist trying to get it into the little bottles before a friend told me about the syringe. Cut off some of the syringe tip, or its opening will be too narrow, because resist is very thick.

imageHolding the applicator bottle plumb, its tip resting gently on the silk, squeeze just a bit as you gently draw the tip across the silk. See pic for exact position:

All resist lines should connect and be unbroken. In other words, they should never end mid-space. But dye spreads so much on silk that it will bleed past a tiny gap in a resist line. After applying resist, I hold my silk so it is backlit, to see if there are any little gaps. If so, I fix that.

When the resist is dry, apply your dye. Use the smallest size silk-painting brush. If you can afford a good quality brush, it helps keep bits of dye from straying outside your lines. Use a tiny non-silk painting-brush if you have tiny spaces to fill.

Forest Elf Pixie Boy by Francesca De Grandis, AKA Outlaw Bunny

Forest Elf Pixie Boy by Francesca De Grandis, AKA Outlaw Bunny

Use something to raise your silk above the work surface. For example, when I paint on silk hoops (metal circles or squares that come with the silk glued on, see the pic to the left), I might put small bits of cardboard at the edge of the hoop to raise it. Otherwise, your silk rests directly on the work surface; then the dyes can puddle on the work surface and up against the silk; that puddle can run past your resist borders. Or I hold the hoop a bit off the table with one hand, brushing dye on with the other.

Brush on just a bit of dye in the center of a resist-defined space. If too much dye is applied, it pours past the resist. Wait a minute to see how much the dye spreads. If more is needed, apply it. If you touch your brush right up against resist, the dye may overflow.

If dye does bleed past a line, go with the flow. Nothing is perfect.

I dyed a white silk scarf green, then drew the silver rose plant and gold accents with silver and gold resist.

I dyed a white silk scarf green, then drew the silver rose plant and gold accents with silver and gold resist.

You might want to start using resists just to draw, or as accents on a dyed or painted piece. See pic to the right. Drawing with resists is good practice before using them to block spreading dye. If you do this, wait until the dye and paint are dry before applying resist.

A friend of mine who is a successful commercial artist has no luck using resist, except for accents. However, her six-year-old daughter uses resist like a pro. And, after my first dismal attempt at it, I caught on very quickly. So if you want to use them, jump in and just try. See if they are for you. Have fun!

And please post below, if you find all this technical stuff and discussion of supplies useful. It will encourage me to blog more of the same.

Posted in Art, Writing, and Music | Tagged , , , , , , , , , , , , , | 7 Comments

Cute Kitty Says, “Meditate.”

CuteKittyMeditateCute kitty says,
“You want out of the box?
Meditate!”

—————–
Want fun as you grow spiritually? My classes go deep and we laugh a lot. For upcoming classes and other news go here
http://stardrenched.com/category/upcoming-classes-events-and-other-news/ and here too: https://www.outlawbunny.com/category/news/

 

Posted in Art, Writing, and Music, Spirit | Tagged , , | Leave a comment

Garden Adornment: Commissioned Art Piece

Angela, your commissioned talismanic art piece is called Garden Adornment.

GardenAdorn2

Every woman is a goddess. Every woman deserves a special piece of jewelry that honors her divinity, her inner and outer beauty, her innate elegance, and her female power. I hope this one-of-a-kind design is that piece for you, Angela.

GardenAdorn3Click on any photo to see it larger and unblurred.

Gallery quality, free-form peyote-stitch three-dimensional bead-weaving, intricately woven. Clasp and crimp beads are sterling silver. If memory serves, most of the beads are Czech. I can’t vouch for the three glistening faceted beads because I upcycled them, but I am almost sure they are Swarovski crystal. The cord is about 17”.

My original design. I designed this piece as I wove it, deciding the best place for each bead, one after another. No one can imitate this piece by reducing it to a technique, pattern, or trick. Thank you, Angela, for supporting creativity! I channeled a blessing as I wove beading-thread or bead wire through beads. Weaving so many beads together made a lot of blessing!

GardenAdorn1I also wove the pendant to look good from the sides as well as the front. I am proud of that. Check out the pic to the right.

Can be worn for work, costume, couture, or with jeans. Arrives enclosed with care instructions for gallery quality jewelry.

Be assured, Angie, if you do not 100% love this piece, I will make you another and put this one into my Etsy shop for whoever it is meant for.

GardenAdorn5CropYou can just post your decision here, if you like.

Made with love and gratitude for you.

To my other wonderful visitors: For info about commissions of beadwork or fabric art, post below or email me.

Scroll down for last photo of Garden Adornment.

GardenAdorn6Crop

Posted in Art, Writing, and Music | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 2 Comments

Fantasy Spring and Summer Wreath Tutorial

Being a fantasy artist influences how I decorate my home. I might start by imagining how Faeries would adorn their abodes. In the case of a Spring and Summer wreath, I think they might make it sparkly, wild, and whimsical. (Click on a photo to see it full-size and unblurred.)

Finis3OB

PlainWreathI made a wreath of grape vine from my backyard. But you can buy a grape vine wreath from a craft store.

I decided that the combination of the wild vine with Jones Tones Foils and Metallic Paints would look magical. Choose three foil colors plus three metallic paint colors that you think combine well and that represent the spring and/or summer, e.g., soft pastels. This project easily adapts to an Autumnal or Yule wreath, by changing the seasonal colors. Here are the initial foil colors I chose for a spring/summer look, they are so pretty that it was hard to narrow it down to three:Choose

Apply Jones Tones Foil Glue on some of the wreath’s thicker stems. No need to cover the whole wreath, just give it accents. On any part you do glue, apply glue to its front and sides, because it’ll be seen from different angles. (Remember to use the various products in this project as instructed on their package.) The glue is thick in this pic, but you can do it much thinner:GlueWreath

Foil is started:FoilStarts1

I applied foil glue, and hence the foil, in stages. Seeing how the foil looked bit by bit gave me a sense of how to proceed best. I also re-foiled areas that didn’t get enough the first time. Here I am adding more glue (you can see the subtle Bronze foil near where I am applying):MoreGlue

When I’d applied as much foil as possible, I applied metallic paints to places that were too hard to foil. The metallic paint nozzle could reach into places I couldn’t reach into with my finger to press the foil against the glue. I also used the paints on places too fragile to foil. PaintingWreath

Again, don’t worry about a lot of coverage or whether your project looks great at this point. You’re just trying to wake the wreath up a bit visually. Here is the wreath after I finished foil and paint:WreathProper2

Find card stock that’s the right color for whatever leaves you want. Any Faerie decorating their home will tell you, “You probably have something on hand whether you know it or not. You are more likely to recognize it if you choose what looks right to you, instead of worrying whether it is ‘proper.’” For example, I considered paper bags because they look earthy and natural. Maybe ask yourself, “What in this room would a Faerie make leaves from?” Faeries are so DIY.

Draw leaves on your card stock, some with metallic paint and some with foil glue. Note how simple mine are. Don’t slavishly imitate mine. Make leaves your own way, that’s how Faeries do it. 🙂 Give them good length stems. Outline the leaves and draw all the way to the bottom of each stem to add stiffness to them.LeavesCollage

When they are dry, place them into the wreath by their stems, as suits your taste. Go with the flow; the vine will not let you put leaves some places. This project combines sparkly, bright colors with earthy, funky aspects because, for me, that creates the fantastical. Paper leaves and flowers bring a touch of whimsy, which adds more otherworldliness.Wleaves2crop

I’d thought I’d stop the project at this point but it clearly needed more. Flowers!

I made flowers the same way I made leaves. This time, I upcycled greeting cards I’d received for birthdays. You know those cards you can’t bear to throw out? And when I look at the back of the wreath, I see my friends’ writing, which I love as a memento. I used the blank back of some cards because I liked the lavender or cream color. Some of my flowers became more elaborate than my leaves, but these foils and paints make even simple flowers fabulous.Flowers2OB

Arrange the flowers in the wreath however you want (you might have to move some leaves). Inserting all the flowers I made looked cluttered. I even removed a few leaves. Now I have flowers and leaves for other projects.DetailsFinalWreath

If you want to adapt this wreath, ask yourself at any point, “What would a Faerie do at this stage?” You could, for example, add flowers made of ribbon or lace. Or a bow that you also foil and paint. What about embellishing with Swarovski crystals?

It looks so magical, I’m hoping that the wreath is a doorway into Faerie. Sshhh.

Posted in Art, Writing, and Music | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 3 Comments

From Shirt to Skirt

From Shirt to Skirt – Up-Cycle Project

It’s snowing here, but spring is in my heart!

LetItSnowOB

Used-clothing stores carry hosts of men’s T-shirts in mint condition. I’m excited I figured out how to up-cycle one into a darling skirt. I am no seamstress, so I guarantee this is easy and quick! A detail of the finished project:

FinishedDetail1

The first thing I did was cut straight across the shirt, right below its arms:

Cut1

This gave me a large tube which would become my skirt. A bit of the T-shirt logo is on my tube, but a blouse’ll cover it. Besides, almost the whole logos disappears in the project’s last step.

Cut2

Lay the tube out flat, face up. Insert layers of newspaper between the tube’s front and back so, when you paint the front, paint doesn’t leak through to the back:

Newspaper

Optional: Before painting a border along the bottom edge of the skirt (the part already hemmed), sketch a design there with an Auto-Fade Pen (it washes out afterwards):

AutoFade

Using Tee Juice, I painted a border of hearts, flowers, and leaves. You might prefer simple geometric shapes (e.g., squares and triangles), or something else. If you paint the back, let the front dry before turning the tube over. Use a white or pale T-shirt so the Tee Juice (TJ) shows well. On white, use any color TJ. On colored fabric, its color may show a bit through the TJ. Choose colors that show well on that fabric. For example, yellow doesn’t show much on gray. And dyeing surprises are inevitable, so go with the flow. E.g., pink on the gray T-shirt I used came up a lovely purple. Once TJ is dry, set it according to Tee Juice instructions. Here’s the finished Tee Juice painting (its hearts show how the pink looks):

TeeJuiceFinished

Next, pizazz! I accented some lines with Lumiere to make them pop. I also used Lumiere to add details. Applying Lumiere:

Detailing

After I finished Lumiere application:

LumiereFinished

The Lumiere colors I personally chose were: Bright Gold; Grape; and Metallic Olive Green. Here is a detail of the finished Lumiere:

LumiereFinishedDetail

Optional: Take the skirt one step further, with glam 4mm Rhinestuds. I chose Sapphire and Red. Experiment by placing Rhinestuds in different places on the skirt. Put just one here and there, or several in a cluster or line. Once you like the way they look, set them using instructions in “Product Description” at http://www.dharmatrading.com/html/eng/5398689-AA.shtml, with one difference. For this project, you needn’t lay out your pattern of Rhinestuds on the Mylar; you’ve already placed them, sticky side down on the fabric; just cut strips or squares of Mylar, and put them, sticky side down, over the Rhinestuds, to hold em in place while you iron:

Mylar

Finally, make a 1” casing for 1/4” to 1/2” elastic at the skirt’s waist. (Remember: When you stitch the casing, leave an inch unstitched as an opening to insert the elastic. After you insert it, close up that inch.) Voila, you can now wear your new skirt!

FinishedOB

Helpful hints:
* You have leeway with the T-shirt size. I’m size 12/14, and used a men’s size 5X T-shirt, because that is what I found. A smaller shirt would also work for me.
* I applied Lumiere with a really fine brush: size 0. Some of the work could’ve been done with a bigger brush. If you don’t need fine detailing, you can use an even bigger one.
* My bias is that Rhinestuds fasten most securely on the unpainted parts of the cloth.
* There are a zillion variations, once you know the basic idea. Examples: stencil a border with TJ; paint a dark T-shirt with Neopaque; use a small T-shirt for a child’s skirt; just tie-dye the tube!

Posted in Art, Writing, and Music | Tagged , , , , , , , , , , , , | 5 Comments