Silk Luminaries DIY

Luminaries

I love candle light and pretty candleholders, but my rambunctious kitty would set the house on fire. Elizabeth Buffington suggested I whipstitch 3″ square silk “hoops” together to make a luminary with LED tea lights.

I got obsessed creating designs, so you have a range from which to choose. We’ll start with drop-dead easy, and progress to more technical or time-consuming versions. And check out More Helpful Hints at the end.

Whipstitch four square 3” silk “hoops” together as shown in the photo below; note they’re sewn with all their fronts on the same side. I used White Silk Sewing Thread because it would dye the same as the hoops’ silk. Don’t connect the end squares; the luminary will stand fine without that; and dyeing or painting panels would be hard were the ends joined. In the photo, also note that you can also make a three-sided luminary:SewCollage

Trial and error showed me: 1) As I sew, I should keep checking that my stitches are neither too loose nor too tight. In other words, tight stitches make a stable, well-shaped cube but, if too tight, they do not allow right-angles to make a cube (a cube with no top or bottom, by the way). 2) I shouldn’t insert the needle right up against the metal frame; but the distance between the frame and point of insertion needs to be minimal.

If you enjoy white silk’s luminous simplicity, your work is done! Perfect for one quick and special lighting accent, or a batch of luminaries for an event. See the opening collage’s lower left-hand corner for these peaceful elegant cubes.

Simply dyeing the squares with Jacquard Green Label Silk Dyes (use a silk-painting brush) also looks great. Do all four (or three) panels the same color or each panel differently. Wear gloves to avoid stained hands. Applying dye:DyeSquaresClg

Center of the opening collage, you can see the green and yellow luminary, green side showing.

If you want to take it a step further, let the dye dry, then draw on the front panel or as many panels as you want. I drew a fairly simple picture and, if you can only make an even simpler drawing, rock on! The most basic easy lines, like a spiral on just one of the squares, looks awesome! Simple drawing ideas: leaf; cute smiley sun. I used Lumiere Pearlescent Blue, which is thick, and I wanted some of its lines delicate, so I used a very fine brush. Here is the result (Taking candlelight pictures is difficult. So I photographed finished luminaries in my window, to help you better see what they can look like):Finis3Clg

Another variation: Dilute the dyes for a colored wash. Dyes look much darker when wet, so don’t dilute too much. I chose to blend three colors in each square, which has to be done before any of the three dry, to avoid watermarks.Finis4Clg

If you want to be more elaborate, draw over the wash once it is dry. You can use Lumiere or Jacquard Permanent Water Based Resist. I applied resist using a resist applicator bottle with Tip #5. A syringe is an easy way to get resist into that little bottle. Otherwise, it can be messy and difficult. Cut off some of the syringe tip, or its opening will be too narrow, because resist is very thick.Syringe

I used both Gold and Bronze resist. For instructions on how to use resists, check out this blog. Another finished luminary:Finis4Clg2

You could also write a word. I chose “joy.” Simple letters looks great backlit by candles, but I love ornamentation. I also got carried away and wrote/designed a luminary picture-poem (a plain color panel is the back). This luminary has both resists and Lumiere:Finis1Clg

If you prefer, paint on undyed silk, with Lumiere or resists. These lighting
accents lend themselves to the simplest designs, but I got carried away again.
My design is a heart growing flowers into the other panels:NoDyeClg

Though the above works as a finished piece (check it out in the opening collage, middle and all the way left), I took it further. This final version is the most complex of these luminaries. Dye spreads every-which-way on silk unless resist lines contain it. Dharma Trading Company says about this use, “Of all the products Dharma carries,…resists are the most technically difficult to use.” Drawing with resists in the above variations is good practice before using them to block spreading dye. The instructions in this blog can also really help.FIllnInDyeClg

After the dye dried, I finished with some Lumiere Pearlescent Blue: Finis2Clg

More Helpful Hints:
* Do not block the LEDs from shining out through the silk. In other words, Lumiere and resists are opaque, so should be used sparsely.
* If you wash more than one color onto a square, they overlap to make new colors; either be knowledgeable about color mixing or enjoy surprises and be willing to build on them.
* I used the same colors for all the luminaries, because I wanted a set. Color repetition meant I could have different designs without sacrificing an overall matched look.
* But just one luminary provides a lovely accent on a fireplace mantel, bureau, or sacred space.
* Put one or several LED tea lights in a luminary. (I bought my lights, three for a dollar, at a Dollar Tree.) I suggest you do not use real candles, I think they would set the silk on fire.
* These dyes and paints are not set, so do not get your luminaries wet.
* You can only win with this project: Whatever your level or type of skill, there are ways to apply it, and even the basic version alone is easy and stylish.

Posted in Art, Writing, and Music | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 6 Comments

How to Use Resist

How to Use Jacquard Permanent Water Based Resist in Silk Painting

Guardian Ancestor, silk painting, Francesca De Grandis

by Francesca De Grandis, using Jacquard Permanent Water Based Resist and Jacquard Green Label Silk Dyes. All the black lines are resist.

Some folks want me to share how I use resists,  hence the following instructions.

Dye spreads every-which-way on silk unless resist lines contain it. Dharma Trading Company, a major retailer of fabric-art supplies, says, “Of all the products Dharma carries,…resists are the most technically difficult to use.” I hope my little how-to helps:

I apply resist using a resist applicator bottle.

A syringe is an easy way to get resist into that little bottle. Otherwise, it can be messy and difficult. I also wasted a lot of resist trying to get it into the little bottles before a friend told me about the syringe. Cut off some of the syringe tip, or its opening will be too narrow, because resist is very thick.

imageHolding the applicator bottle plumb, its tip resting gently on the silk, squeeze just a bit as you gently draw the tip across the silk. See pic for exact position:

All resist lines should connect and be unbroken. In other words, they should never end mid-space. But dye spreads so much on silk that it will bleed past a tiny gap in a resist line. After applying resist, I hold my silk so it is backlit, to see if there are any little gaps. If so, I fix that.

When the resist is dry, apply your dye. Use the smallest size silk-painting brush. If you can afford a good quality brush, it helps keep bits of dye from straying outside your lines. Use a tiny non-silk painting-brush if you have tiny spaces to fill.

Forest Elf Pixie Boy by Francesca De Grandis, AKA Outlaw Bunny

Forest Elf Pixie Boy by Francesca De Grandis, AKA Outlaw Bunny

Use something to raise your silk above the work surface. For example, when I paint on silk hoops (metal circles or squares that come with the silk glued on, see the pic to the left), I might put small bits of cardboard at the edge of the hoop to raise it. Otherwise, your silk rests directly on the work surface; then the dyes can puddle on the work surface and up against the silk; that puddle can run past your resist borders. Or I hold the hoop a bit off the table with one hand, brushing dye on with the other.

Brush on just a bit of dye in the center of a resist-defined space. If too much dye is applied, it pours past the resist. Wait a minute to see how much the dye spreads. If more is needed, apply it. If you touch your brush right up against resist, the dye may overflow.

If dye does bleed past a line, go with the flow. Nothing is perfect.

I dyed a white silk scarf green, then drew the silver rose plant and gold accents with silver and gold resist.

I dyed a white silk scarf green, then drew the silver rose plant and gold accents with silver and gold resist.

You might want to start using resists just to draw, or as accents on a dyed or painted piece. See pic to the right. Drawing with resists is good practice before using them to block spreading dye. If you do this, wait until the dye and paint are dry before applying resist.

A friend of mine who is a successful commercial artist has no luck using resist, except for accents. However, her six-year-old daughter uses resist like a pro. And, after my first dismal attempt at it, I caught on very quickly. So if you want to use them, jump in and just try. See if they are for you. Have fun!

And please post below, if you find all this technical stuff and discussion of supplies useful. It will encourage me to blog more of the same.

Posted in Art, Writing, and Music | Tagged , , , , , , , , , , , , , | 7 Comments

Cute Kitty Says, “Meditate.”

CuteKittyMeditateCute kitty says,
“You want out of the box?
Meditate!”

—————–
Want fun as you grow spiritually? My classes go deep and we laugh a lot. For upcoming classes and other news go here
http://stardrenched.com/category/upcoming-classes-events-and-other-news/ and here too: https://www.outlawbunny.com/category/news/

 

Posted in Art, Writing, and Music, Spirit | Tagged , , | Leave a comment

Garden Adornment: Commissioned Art Piece

Angela, your commissioned talismanic art piece is called Garden Adornment.

GardenAdorn2

Every woman is a goddess. Every woman deserves a special piece of jewelry that honors her divinity, her inner and outer beauty, her innate elegance, and her female power. I hope this one-of-a-kind design is that piece for you, Angela.

GardenAdorn3Click on any photo to see it larger and unblurred.

Gallery quality, free-form peyote-stitch three-dimensional bead-weaving, intricately woven. Clasp and crimp beads are sterling silver. If memory serves, most of the beads are Czech. I can’t vouch for the three glistening faceted beads because I upcycled them, but I am almost sure they are Swarovski crystal. The cord is about 17”.

My original design. I designed this piece as I wove it, deciding the best place for each bead, one after another. No one can imitate this piece by reducing it to a technique, pattern, or trick. Thank you, Angela, for supporting creativity! I channeled a blessing as I wove beading-thread or bead wire through beads. Weaving so many beads together made a lot of blessing!

GardenAdorn1I also wove the pendant to look good from the sides as well as the front. I am proud of that. Check out the pic to the right.

Can be worn for work, costume, couture, or with jeans. Arrives enclosed with care instructions for gallery quality jewelry.

Be assured, Angie, if you do not 100% love this piece, I will make you another and put this one into my Etsy shop for whoever it is meant for.

GardenAdorn5CropYou can just post your decision here, if you like.

Made with love and gratitude for you.

To my other wonderful visitors: For info about commissions of beadwork or fabric art, post below or email me.

Scroll down for last photo of Garden Adornment.

GardenAdorn6Crop

Posted in Art, Writing, and Music | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 2 Comments

Fantasy Spring and Summer Wreath Tutorial

Being a fantasy artist influences how I decorate my home. I might start by imagining how Faeries would adorn their abodes. In the case of a Spring and Summer wreath, I think they might make it sparkly, wild, and whimsical. (Click on a photo to see it full-size and unblurred.)

Finis3OB

PlainWreathI made a wreath of grape vine from my backyard. But you can buy a grape vine wreath from a craft store.

I decided that the combination of the wild vine with Jones Tones Foils and Metallic Paints would look magical. Choose three foil colors plus three metallic paint colors that you think combine well and that represent the spring and/or summer, e.g., soft pastels. This project easily adapts to an Autumnal or Yule wreath, by changing the seasonal colors. Here are the initial foil colors I chose for a spring/summer look, they are so pretty that it was hard to narrow it down to three:Choose

Apply Jones Tones Foil Glue on some of the wreath’s thicker stems. No need to cover the whole wreath, just give it accents. On any part you do glue, apply glue to its front and sides, because it’ll be seen from different angles. (Remember to use the various products in this project as instructed on their package.) The glue is thick in this pic, but you can do it much thinner:GlueWreath

Foil is started:FoilStarts1

I applied foil glue, and hence the foil, in stages. Seeing how the foil looked bit by bit gave me a sense of how to proceed best. I also re-foiled areas that didn’t get enough the first time. Here I am adding more glue (you can see the subtle Bronze foil near where I am applying):MoreGlue

When I’d applied as much foil as possible, I applied metallic paints to places that were too hard to foil. The metallic paint nozzle could reach into places I couldn’t reach into with my finger to press the foil against the glue. I also used the paints on places too fragile to foil. PaintingWreath

Again, don’t worry about a lot of coverage or whether your project looks great at this point. You’re just trying to wake the wreath up a bit visually. Here is the wreath after I finished foil and paint:WreathProper2

Find card stock that’s the right color for whatever leaves you want. Any Faerie decorating their home will tell you, “You probably have something on hand whether you know it or not. You are more likely to recognize it if you choose what looks right to you, instead of worrying whether it is ‘proper.’” For example, I considered paper bags because they look earthy and natural. Maybe ask yourself, “What in this room would a Faerie make leaves from?” Faeries are so DIY.

Draw leaves on your card stock, some with metallic paint and some with foil glue. Note how simple mine are. Don’t slavishly imitate mine. Make leaves your own way, that’s how Faeries do it. 🙂 Give them good length stems. Outline the leaves and draw all the way to the bottom of each stem to add stiffness to them.LeavesCollage

When they are dry, place them into the wreath by their stems, as suits your taste. Go with the flow; the vine will not let you put leaves some places. This project combines sparkly, bright colors with earthy, funky aspects because, for me, that creates the fantastical. Paper leaves and flowers bring a touch of whimsy, which adds more otherworldliness.Wleaves2crop

I’d thought I’d stop the project at this point but it clearly needed more. Flowers!

I made flowers the same way I made leaves. This time, I upcycled greeting cards I’d received for birthdays. You know those cards you can’t bear to throw out? And when I look at the back of the wreath, I see my friends’ writing, which I love as a memento. I used the blank back of some cards because I liked the lavender or cream color. Some of my flowers became more elaborate than my leaves, but these foils and paints make even simple flowers fabulous.Flowers2OB

Arrange the flowers in the wreath however you want (you might have to move some leaves). Inserting all the flowers I made looked cluttered. I even removed a few leaves. Now I have flowers and leaves for other projects.DetailsFinalWreath

If you want to adapt this wreath, ask yourself at any point, “What would a Faerie do at this stage?” You could, for example, add flowers made of ribbon or lace. Or a bow that you also foil and paint. What about embellishing with Swarovski crystals?

It looks so magical, I’m hoping that the wreath is a doorway into Faerie. Sshhh.

Posted in Art, Writing, and Music | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 3 Comments

From Shirt to Skirt

From Shirt to Skirt – Up-Cycle Project

It’s snowing here, but spring is in my heart!

LetItSnowOB

Used-clothing stores carry hosts of men’s T-shirts in mint condition. I’m excited I figured out how to up-cycle one into a darling skirt. I am no seamstress, so I guarantee this is easy and quick! A detail of the finished project:

FinishedDetail1

The first thing I did was cut straight across the shirt, right below its arms:

Cut1

This gave me a large tube which would become my skirt. A bit of the T-shirt logo is on my tube, but a blouse’ll cover it. Besides, almost the whole logos disappears in the project’s last step.

Cut2

Lay the tube out flat, face up. Insert layers of newspaper between the tube’s front and back so, when you paint the front, paint doesn’t leak through to the back:

Newspaper

Optional: Before painting a border along the bottom edge of the skirt (the part already hemmed), sketch a design there with an Auto-Fade Pen (it washes out afterwards):

AutoFade

Using Tee Juice, I painted a border of hearts, flowers, and leaves. You might prefer simple geometric shapes (e.g., squares and triangles), or something else. If you paint the back, let the front dry before turning the tube over. Use a white or pale T-shirt so the Tee Juice (TJ) shows well. On white, use any color TJ. On colored fabric, its color may show a bit through the TJ. Choose colors that show well on that fabric. For example, yellow doesn’t show much on gray. And dyeing surprises are inevitable, so go with the flow. E.g., pink on the gray T-shirt I used came up a lovely purple. Once TJ is dry, set it according to Tee Juice instructions. Here’s the finished Tee Juice painting (its hearts show how the pink looks):

TeeJuiceFinished

Next, pizazz! I accented some lines with Lumiere to make them pop. I also used Lumiere to add details. Applying Lumiere:

Detailing

After I finished Lumiere application:

LumiereFinished

The Lumiere colors I personally chose were: Bright Gold; Grape; and Metallic Olive Green. Here is a detail of the finished Lumiere:

LumiereFinishedDetail

Optional: Take the skirt one step further, with glam 4mm Rhinestuds. I chose Sapphire and Red. Experiment by placing Rhinestuds in different places on the skirt. Put just one here and there, or several in a cluster or line. Once you like the way they look, set them using instructions in “Product Description” at http://www.dharmatrading.com/html/eng/5398689-AA.shtml, with one difference. For this project, you needn’t lay out your pattern of Rhinestuds on the Mylar; you’ve already placed them, sticky side down on the fabric; just cut strips or squares of Mylar, and put them, sticky side down, over the Rhinestuds, to hold em in place while you iron:

Mylar

Finally, make a 1” casing for 1/4” to 1/2” elastic at the skirt’s waist. (Remember: When you stitch the casing, leave an inch unstitched as an opening to insert the elastic. After you insert it, close up that inch.) Voila, you can now wear your new skirt!

FinishedOB

Helpful hints:
* You have leeway with the T-shirt size. I’m size 12/14, and used a men’s size 5X T-shirt, because that is what I found. A smaller shirt would also work for me.
* I applied Lumiere with a really fine brush: size 0. Some of the work could’ve been done with a bigger brush. If you don’t need fine detailing, you can use an even bigger one.
* My bias is that Rhinestuds fasten most securely on the unpainted parts of the cloth.
* There are a zillion variations, once you know the basic idea. Examples: stencil a border with TJ; paint a dark T-shirt with Neopaque; use a small T-shirt for a child’s skirt; just tie-dye the tube!

Posted in Art, Writing, and Music | Tagged , , , , , , , , , , , , | 5 Comments

My Pain Feather

Just finished this painting, My Pain Feather (a picture-poem)
image
People ask my process with my art, so here is what happened with this piece:

It started out not as piece unto itself but as a sketch of something that i would later paint directly onto silk. It kept not looking right, on and on. Finally I got the feather the way I wanted but I couldn’t get the piece as a whole to work. I’d wanted it to look noble, beautiful, mystic—like an eagle feather. And it kept failing. Suddenly I realized that the emotional and physical pain I’ve been in lately was in both the feather and the whole painting. I was painting my pain. The term came to me “my pain feather,” which is not a traditional term that I know. Well, hmm, it did not just come to me, I fiddled with words til I got it right. But I was embarrassed to write that here, was embarrassed to honor my hard work as a word-smith. Writing “came to me” was a way to avoid telling the truth of my process.

Anyway, I wanted words to express that I was owning my pain, and owning the truth of the story behind it. “My pain feather” does that (i hope) and, as such, are the first three words of the poem, which I then finished writing. After that, the whole piece started falling into place visually: I was able to finish painting it in a way that seemed right.

And it is a piece unto itself instead of a draft for a future piece.

I still want to do a feather painting on silk but it will not be a replication of this one. However, painting this one did help me figure out a few things about painting feathers, and that will inform the silk painting.

And that was my process! I hope reading it is of some use to you. Thank you so much for yr time!!

Posted in Art, Writing, and Music, Spirit, The Whole Thing | Tagged , , , , | 3 Comments

Masters of Fate

StardrnchdCertnty2012-03Masters of Fate is a three-month seminar that meets the needs of people who create their destiny, focus on service, and embrace high ideals. Whether a thriving CEO, remarkable parent, or monk whose meditations improve the world.

Even in beginner classes, my students tend to be national leaders in their field. Or otherwise extraordinary. But I haven’t promoted my classes as meant for them. I teach what I teach, it attracts who it attracts. However, I was recently guided in meditation to create a curriculum and make it clear that it focuses on folks who get things done—addresses their specific challenges and provides the tools they need to take their next step in career, personal life, and inner growth, while maintaining maximum spiritual fitness.

I am amazing at facilitating change: Janet left her career as a lawyer, and is about to show her first musical to Broadway investors. Samantha had developed models used nationally in her field, but her income remained low. She still earns her living doing what she loves, but recently was able to buy a home and build three additional rooms onto it. Mark felt his work, though fulfilling, kept him from being fully present for his family. Recently, his wife told me there’s been an astonishing shift in intimacy.

Masters of Fate is a three-month intensive that supports you with:
* a group-meeting by phone every other week,
* three hour-long private sessions with me, by phone,
* and direct spiritual transmissions five days a week, the whole three months. Can you say, “Rock on!”?

StardrnchdCertntyHeartThe transmissions happen without you lifting a finger. Go about your business, I do the work.

Individually, services in Masters of Fate would add up to $1350 if paid in installments, or $1240 in one payment. Because you’re creating a better world, your cost is $1000. Or $1100 if you prefer three installments.

The group meets seven times: every other Thursday, starting March 7, from noon to 1, EST. The last class is May 30. Reserve June 6, same time, for a makeup class in case I’m unavailable for one of the planned sessions.

The groups meets by phone. No computer or special equipment needed. You might pay long-distance charges, depending on your long-distance plan. If so, they appear on your phone bill. The event’s area code is a U.S. #. Upon receipt of payment, your place is reserved, and phone number for event emailed to you. No refunds. Questions? Call 814-337-2490.

StardrnchdCertntyHeart2If you live in the U.S., I call you to schedule your appointments, as soon as you enroll. If you live outside the U.S., call me to schedule appointments: 814-337-2490. The private sessions must happen over the course of the event. If you must change an appointment time for a one-on-one, I need 24 hours’ notice, or you lose that appointment.

I’m not saying what happens in class because it’ll be whatever you need to happen. I have that much confidence in myself. You tell me what you want addressed, I’ll take care of it better than some folks think possible. And I’ll tell you what else you might need to address, and help you do so effectively.

Register below. If you choose the option of paying the first installment, I’ll bill you each month for the additional two months.


Choose Payment Plan



Some people make things happen. For example, they earn a living doing work they love and, if they don’t, they take a class with me to change that. As people who rearrange universes, we can go places together that could not otherwise be reached.

StardrnchdCertntyBar

Posted in Classes, Books, and Other News | Tagged , | Leave a comment

To entrepreneurs

To entrepreneurs whose high standards have been met with unkindness,

Francesca De Grandis

Francesca De Grandis

As a shamanic counselor and teacher, I mentor a lot of entrepreneurs. Whether in the arts or corporate industry, most of them constantly experience people who suspect excellence. Their suspicion keeps them from drawing on the wonderful services these entrepreneurs offer. Worse, it causes them to respond to ethical entrepreneurs with hurtful cynicism and outright attacks. It is a problem I encounter myself.

I recently joked, “I should promote my services as mediocre, I’d get a lot more business.” If I offered to teach a handful of shamanic skills that people could get out of any book, some folks’d be more likely to register for classes than if I tell the truth: I teach innovative life-changing shamanic tools.

My clients tell me things like, “You saved my life.” But testimonies or anything else will not change the minds of people who, were I to hand them the holy Grail, free of charge, they’d think they were looking at poison.

The specific people I’m referring to have the worldview that no entrepreneur works their fingers off to achieve quality. With that as a reference point, there is no way to see my ever-ready availability to serve them, my amazing shamanic skill set, my caring, honesty, and passion for life. Their reference point necessitates misinterpreting these aspects of me as pushiness, arrogance, sales hype, and greed.

I’m not criticizing them, they’re clearly crushed in spirit. It’s become hard for them to trust anyone, because the world is full of people who are, in fact, selfish and greedy.

I wish I could help people overcome the kind of cynicism I am describing but, paradoxically, they would have to trust me enough to ask for help. Til then, there is nothing I can do but walk away. They are so far gone that if I said “blue,” they’d hear “green,” and go tell everybody I said a terrible hurtful thing!

So I write this specific blog entry in support of ethical entrepreneurs who’ve experienced the same thing I have, so that you know you are not alone.

Here is a thought: Remember there are people who do understand you. They too strive for excellence, they too are devoted to service. They need you. Keep putting yourself out there, don’t let other people’s wounds stop you from earning a living doing what you love, with love in your heart.

—————
Shamanic counseling by phone. And you can schedule your appointment using my online calendar. https://www.outlawbunny.com/pastoral-counseling/

Posted in Art, Writing, and Music, Community, Spirit, The Whole Thing | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , | 4 Comments

Mystic Garden Lamp, an Upcycling Project

Final1&FinalWLite2

Scored at the second-hand store! Hobnail milk-glass lamp: $5. Plus a $2 lampshade with masculine, modern lines to counterpoint the lamp’s old-fashioned femininity. Nevertheless, the shade required tweaking to harmonize with the lamp. The shade also had stains that needed covering.

Before2

The design had to look good both with the lamp’s bulb shining through the shade and when the light was off. This got me thinking about silhouettes. I also decided a modern floral pattern would “girl up” the lampshade enough to go with the lamp. Your silhouettes might be stick-figures for a children’s room, simple spirals, complex faces, or anything else. It depends on the lampshade, its lamp, and your personal taste. Here’s a detail from the finished piece:

Final2Edit

Lumiere and Neopaque are opaque paints, which are needed for silhouettes, and these paints look great when no lite shines through a shade. They also work on either paper or cloth shades, allow precision of line, and create a crisp edge for silhouettes. Below are the yummy colors I chose for my floral design. (Helpful hint: Yes, the following pic is in my kitchen. Stalling a project for lack of space might stall it forever.)

Supplies2

The shade needed more: gold Jones Tones Foil Paper was perfect for the lampshade’s lovely cream paper, which has fibers in it like homemade paper. What color foil would best accent your particular lampshade?

Foil

Sketch your design. Take time deciding what you want. Myself, I like combining modern, masculine aesthetics with vintage girlishness. I played around til my design was feminine, but bold and simple so that it wouldn’t look over the top girlie, once it was combined with the milk glass. (Helpful hint: Make a design sparse, so light still shines through the shade to illuminate the room.) My final sketch gave me rough guidelines for style and placement, but you may prefer exact plans:

Sketch

I painted the dominant lines from the sketch. (Helpful hint: You’ve an ad hoc painting stand; put the shade on a lamp, and turn the lamp as you paint.)

FrontDesign

I improvised the rest of the dominant lines. But you might want to plan them or make a repeating pattern.

Turning

Unless you prefer brush strokes as part of the silhouette, you might have to go over a line a few times, to fill it in and create a strong sharp line:

FIllingIn

I plugged the lamp in to see how the initial work looked with the light on, and realized I didn’t need to add the purple Lumiere that I’d planned.

CheckingMainLines

So I moved onto the next thing I’d planned: Pearlescent Magenta Lumiere accents. I didn’t make them completely opaque, but I love the way they look. Had I cared, I probably could’ve gotten 100% opacity. Then I realized the pale green Lumiere I’d planned was not quite right and chose a medium green Lumiere. (Helpful hint: All in all, I used three sizes paint brushes but a size-two would have been fine alone. My others were only a bit smaller or bit larger.) After adding the green, I checked again. Here is how it looked:

LumierCheck

Next came foil, which I’d never used. It is so stunning that it astonished me. (Helpful hints: 1) After removing the shade from the lamp, hold it so that the part you’re about to put glue on is basically horizontal, because the glue falls straight down from the tube. 2) Do not be intimidated. The foil glue bottle is easy to use as a pen. If you want to stick to something simple, drops of glue become strikingly gorgeous gold accents.)

ApplyFoil

Examine your shade to see what else is needed. In my case, it was a Tee Juice fine point pink marker, to connect the different pieces of my design and add subtle dimensionality. Tee Juice pink, which is not opaque, was quiet on tan paper: the nuance I needed. Be forewarned, it only shows a bit when the lamp is on. But light-on and light-off make for almost two different lampshades, and I only felt the need for Tee Juice on the light-off version.

TeeJuice2

More pics of the final lampshade below. My hope was an illuminated mystic garden. What do you want to create from your old shade?

FinalCollage

Posted in Art, Writing, and Music | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment