Garden Adornment: Commissioned Art Piece

Angela, your commissioned talismanic art piece is called Garden Adornment.

GardenAdorn2

Every woman is a goddess. Every woman deserves a special piece of jewelry that honors her divinity, her inner and outer beauty, her innate elegance, and her female power. I hope this one-of-a-kind design is that piece for you, Angela.

GardenAdorn3Click on any photo to see it larger and unblurred.

Gallery quality, free-form peyote-stitch three-dimensional bead-weaving, intricately woven. Clasp and crimp beads are sterling silver. If memory serves, most of the beads are Czech. I can’t vouch for the three glistening faceted beads because I upcycled them, but I am almost sure they are Swarovski crystal. The cord is about 17”.

My original design. I designed this piece as I wove it, deciding the best place for each bead, one after another. No one can imitate this piece by reducing it to a technique, pattern, or trick. Thank you, Angela, for supporting creativity! I channeled a blessing as I wove beading-thread or bead wire through beads. Weaving so many beads together made a lot of blessing!

GardenAdorn1I also wove the pendant to look good from the sides as well as the front. I am proud of that. Check out the pic to the right.

Can be worn for work, costume, couture, or with jeans. Arrives enclosed with care instructions for gallery quality jewelry.

Be assured, Angie, if you do not 100% love this piece, I will make you another and put this one into my Etsy shop for whoever it is meant for.

GardenAdorn5CropYou can just post your decision here, if you like.

Made with love and gratitude for you.

To my other wonderful visitors: For info about commissions of beadwork or fabric art, post below or email me.

Scroll down for last photo of Garden Adornment.

GardenAdorn6Crop

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Fantasy Spring and Summer Wreath Tutorial

Being a fantasy artist influences how I decorate my home. I might start by imagining how Faeries would adorn their abodes. In the case of a Spring and Summer wreath, I think they might make it sparkly, wild, and whimsical. (Click on a photo to see it full-size and unblurred.)

Finis3OB

PlainWreathI made a wreath of grape vine from my backyard. But you can buy a grape vine wreath from a craft store.

I decided that the combination of the wild vine with Jones Tones Foils and Metallic Paints would look magical. Choose three foil colors plus three metallic paint colors that you think combine well and that represent the spring and/or summer, e.g., soft pastels. This project easily adapts to an Autumnal or Yule wreath, by changing the seasonal colors. Here are the initial foil colors I chose for a spring/summer look, they are so pretty that it was hard to narrow it down to three:Choose

Apply Jones Tones Foil Glue on some of the wreath’s thicker stems. No need to cover the whole wreath, just give it accents. On any part you do glue, apply glue to its front and sides, because it’ll be seen from different angles. (Remember to use the various products in this project as instructed on their package.) The glue is thick in this pic, but you can do it much thinner:GlueWreath

Foil is started:FoilStarts1

I applied foil glue, and hence the foil, in stages. Seeing how the foil looked bit by bit gave me a sense of how to proceed best. I also re-foiled areas that didn’t get enough the first time. Here I am adding more glue (you can see the subtle Bronze foil near where I am applying):MoreGlue

When I’d applied as much foil as possible, I applied metallic paints to places that were too hard to foil. The metallic paint nozzle could reach into places I couldn’t reach into with my finger to press the foil against the glue. I also used the paints on places too fragile to foil. PaintingWreath

Again, don’t worry about a lot of coverage or whether your project looks great at this point. You’re just trying to wake the wreath up a bit visually. Here is the wreath after I finished foil and paint:WreathProper2

Find card stock that’s the right color for whatever leaves you want. Any Faerie decorating their home will tell you, “You probably have something on hand whether you know it or not. You are more likely to recognize it if you choose what looks right to you, instead of worrying whether it is ‘proper.’” For example, I considered paper bags because they look earthy and natural. Maybe ask yourself, “What in this room would a Faerie make leaves from?” Faeries are so DIY.

Draw leaves on your card stock, some with metallic paint and some with foil glue. Note how simple mine are. Don’t slavishly imitate mine. Make leaves your own way, that’s how Faeries do it. 🙂 Give them good length stems. Outline the leaves and draw all the way to the bottom of each stem to add stiffness to them.LeavesCollage

When they are dry, place them into the wreath by their stems, as suits your taste. Go with the flow; the vine will not let you put leaves some places. This project combines sparkly, bright colors with earthy, funky aspects because, for me, that creates the fantastical. Paper leaves and flowers bring a touch of whimsy, which adds more otherworldliness.Wleaves2crop

I’d thought I’d stop the project at this point but it clearly needed more. Flowers!

I made flowers the same way I made leaves. This time, I upcycled greeting cards I’d received for birthdays. You know those cards you can’t bear to throw out? And when I look at the back of the wreath, I see my friends’ writing, which I love as a memento. I used the blank back of some cards because I liked the lavender or cream color. Some of my flowers became more elaborate than my leaves, but these foils and paints make even simple flowers fabulous.Flowers2OB

Arrange the flowers in the wreath however you want (you might have to move some leaves). Inserting all the flowers I made looked cluttered. I even removed a few leaves. Now I have flowers and leaves for other projects.DetailsFinalWreath

If you want to adapt this wreath, ask yourself at any point, “What would a Faerie do at this stage?” You could, for example, add flowers made of ribbon or lace. Or a bow that you also foil and paint. What about embellishing with Swarovski crystals?

It looks so magical, I’m hoping that the wreath is a doorway into Faerie. Sshhh.

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From Shirt to Skirt

From Shirt to Skirt – Up-Cycle Project

It’s snowing here, but spring is in my heart!

LetItSnowOB

Used-clothing stores carry hosts of men’s T-shirts in mint condition. I’m excited I figured out how to up-cycle one into a darling skirt. I am no seamstress, so I guarantee this is easy and quick! A detail of the finished project:

FinishedDetail1

The first thing I did was cut straight across the shirt, right below its arms:

Cut1

This gave me a large tube which would become my skirt. A bit of the T-shirt logo is on my tube, but a blouse’ll cover it. Besides, almost the whole logos disappears in the project’s last step.

Cut2

Lay the tube out flat, face up. Insert layers of newspaper between the tube’s front and back so, when you paint the front, paint doesn’t leak through to the back:

Newspaper

Optional: Before painting a border along the bottom edge of the skirt (the part already hemmed), sketch a design there with an Auto-Fade Pen (it washes out afterwards):

AutoFade

Using Tee Juice, I painted a border of hearts, flowers, and leaves. You might prefer simple geometric shapes (e.g., squares and triangles), or something else. If you paint the back, let the front dry before turning the tube over. Use a white or pale T-shirt so the Tee Juice (TJ) shows well. On white, use any color TJ. On colored fabric, its color may show a bit through the TJ. Choose colors that show well on that fabric. For example, yellow doesn’t show much on gray. And dyeing surprises are inevitable, so go with the flow. E.g., pink on the gray T-shirt I used came up a lovely purple. Once TJ is dry, set it according to Tee Juice instructions. Here’s the finished Tee Juice painting (its hearts show how the pink looks):

TeeJuiceFinished

Next, pizazz! I accented some lines with Lumiere to make them pop. I also used Lumiere to add details. Applying Lumiere:

Detailing

After I finished Lumiere application:

LumiereFinished

The Lumiere colors I personally chose were: Bright Gold; Grape; and Metallic Olive Green. Here is a detail of the finished Lumiere:

LumiereFinishedDetail

Optional: Take the skirt one step further, with glam 4mm Rhinestuds. I chose Sapphire and Red. Experiment by placing Rhinestuds in different places on the skirt. Put just one here and there, or several in a cluster or line. Once you like the way they look, set them using instructions in “Product Description” at http://www.dharmatrading.com/html/eng/5398689-AA.shtml, with one difference. For this project, you needn’t lay out your pattern of Rhinestuds on the Mylar; you’ve already placed them, sticky side down on the fabric; just cut strips or squares of Mylar, and put them, sticky side down, over the Rhinestuds, to hold em in place while you iron:

Mylar

Finally, make a 1” casing for 1/4” to 1/2” elastic at the skirt’s waist. (Remember: When you stitch the casing, leave an inch unstitched as an opening to insert the elastic. After you insert it, close up that inch.) Voila, you can now wear your new skirt!

FinishedOB

Helpful hints:
* You have leeway with the T-shirt size. I’m size 12/14, and used a men’s size 5X T-shirt, because that is what I found. A smaller shirt would also work for me.
* I applied Lumiere with a really fine brush: size 0. Some of the work could’ve been done with a bigger brush. If you don’t need fine detailing, you can use an even bigger one.
* My bias is that Rhinestuds fasten most securely on the unpainted parts of the cloth.
* There are a zillion variations, once you know the basic idea. Examples: stencil a border with TJ; paint a dark T-shirt with Neopaque; use a small T-shirt for a child’s skirt; just tie-dye the tube!

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My Pain Feather

Just finished this painting, My Pain Feather (a picture-poem)
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People ask my process with my art, so here is what happened with this piece:

It started out not as piece unto itself but as a sketch of something that i would later paint directly onto silk. It kept not looking right, on and on. Finally I got the feather the way I wanted but I couldn’t get the piece as a whole to work. I’d wanted it to look noble, beautiful, mystic—like an eagle feather. And it kept failing. Suddenly I realized that the emotional and physical pain I’ve been in lately was in both the feather and the whole painting. I was painting my pain. The term came to me “my pain feather,” which is not a traditional term that I know. Well, hmm, it did not just come to me, I fiddled with words til I got it right. But I was embarrassed to write that here, was embarrassed to honor my hard work as a word-smith. Writing “came to me” was a way to avoid telling the truth of my process.

Anyway, I wanted words to express that I was owning my pain, and owning the truth of the story behind it. “My pain feather” does that (i hope) and, as such, are the first three words of the poem, which I then finished writing. After that, the whole piece started falling into place visually: I was able to finish painting it in a way that seemed right.

And it is a piece unto itself instead of a draft for a future piece.

I still want to do a feather painting on silk but it will not be a replication of this one. However, painting this one did help me figure out a few things about painting feathers, and that will inform the silk painting.

And that was my process! I hope reading it is of some use to you. Thank you so much for yr time!!

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Masters of Fate

StardrnchdCertnty2012-03Masters of Fate is a three-month seminar that meets the needs of people who create their destiny, focus on service, and embrace high ideals. Whether a thriving CEO, remarkable parent, or monk whose meditations improve the world.

Even in beginner classes, my students tend to be national leaders in their field. Or otherwise extraordinary. But I haven’t promoted my classes as meant for them. I teach what I teach, it attracts who it attracts. However, I was recently guided in meditation to create a curriculum and make it clear that it focuses on folks who get things done—addresses their specific challenges and provides the tools they need to take their next step in career, personal life, and inner growth, while maintaining maximum spiritual fitness.

I am amazing at facilitating change: Janet left her career as a lawyer, and is about to show her first musical to Broadway investors. Samantha had developed models used nationally in her field, but her income remained low. She still earns her living doing what she loves, but recently was able to buy a home and build three additional rooms onto it. Mark felt his work, though fulfilling, kept him from being fully present for his family. Recently, his wife told me there’s been an astonishing shift in intimacy.

Masters of Fate is a three-month intensive that supports you with:
* a group-meeting by phone every other week,
* three hour-long private sessions with me, by phone,
* and direct spiritual transmissions five days a week, the whole three months. Can you say, “Rock on!”?

StardrnchdCertntyHeartThe transmissions happen without you lifting a finger. Go about your business, I do the work.

Individually, services in Masters of Fate would add up to $1350 if paid in installments, or $1240 in one payment. Because you’re creating a better world, your cost is $1000. Or $1100 if you prefer three installments.

The group meets seven times: every other Thursday, starting March 7, from noon to 1, EST. The last class is May 30. Reserve June 6, same time, for a makeup class in case I’m unavailable for one of the planned sessions.

The groups meets by phone. No computer or special equipment needed. You might pay long-distance charges, depending on your long-distance plan. If so, they appear on your phone bill. The event’s area code is a U.S. #. Upon receipt of payment, your place is reserved, and phone number for event emailed to you. No refunds. Questions? Call 814-337-2490.

StardrnchdCertntyHeart2If you live in the U.S., I call you to schedule your appointments, as soon as you enroll. If you live outside the U.S., call me to schedule appointments: 814-337-2490. The private sessions must happen over the course of the event. If you must change an appointment time for a one-on-one, I need 24 hours’ notice, or you lose that appointment.

I’m not saying what happens in class because it’ll be whatever you need to happen. I have that much confidence in myself. You tell me what you want addressed, I’ll take care of it better than some folks think possible. And I’ll tell you what else you might need to address, and help you do so effectively.

Register below. If you choose the option of paying the first installment, I’ll bill you each month for the additional two months.


Choose Payment Plan



Some people make things happen. For example, they earn a living doing work they love and, if they don’t, they take a class with me to change that. As people who rearrange universes, we can go places together that could not otherwise be reached.

StardrnchdCertntyBar

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To entrepreneurs

To entrepreneurs whose high standards have been met with unkindness,

Francesca De Grandis

Francesca De Grandis

As a shamanic counselor and teacher, I mentor a lot of entrepreneurs. Whether in the arts or corporate industry, most of them constantly experience people who suspect excellence. Their suspicion keeps them from drawing on the wonderful services these entrepreneurs offer. Worse, it causes them to respond to ethical entrepreneurs with hurtful cynicism and outright attacks. It is a problem I encounter myself.

I recently joked, “I should promote my services as mediocre, I’d get a lot more business.” If I offered to teach a handful of shamanic skills that people could get out of any book, some folks’d be more likely to register for classes than if I tell the truth: I teach innovative life-changing shamanic tools.

My clients tell me things like, “You saved my life.” But testimonies or anything else will not change the minds of people who, were I to hand them the holy Grail, free of charge, they’d think they were looking at poison.

The specific people I’m referring to have the worldview that no entrepreneur works their fingers off to achieve quality. With that as a reference point, there is no way to see my ever-ready availability to serve them, my amazing shamanic skill set, my caring, honesty, and passion for life. Their reference point necessitates misinterpreting these aspects of me as pushiness, arrogance, sales hype, and greed.

I’m not criticizing them, they’re clearly crushed in spirit. It’s become hard for them to trust anyone, because the world is full of people who are, in fact, selfish and greedy.

I wish I could help people overcome the kind of cynicism I am describing but, paradoxically, they would have to trust me enough to ask for help. Til then, there is nothing I can do but walk away. They are so far gone that if I said “blue,” they’d hear “green,” and go tell everybody I said a terrible hurtful thing!

So I write this specific blog entry in support of ethical entrepreneurs who’ve experienced the same thing I have, so that you know you are not alone.

Here is a thought: Remember there are people who do understand you. They too strive for excellence, they too are devoted to service. They need you. Keep putting yourself out there, don’t let other people’s wounds stop you from earning a living doing what you love, with love in your heart.

—————
Shamanic counseling by phone. And you can schedule your appointment using my online calendar. https://www.outlawbunny.com/pastoral-counseling/

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Mystic Garden Lamp, an Upcycling Project

Final1&FinalWLite2

Scored at the second-hand store! Hobnail milk-glass lamp: $5. Plus a $2 lampshade with masculine, modern lines to counterpoint the lamp’s old-fashioned femininity. Nevertheless, the shade required tweaking to harmonize with the lamp. The shade also had stains that needed covering.

Before2

The design had to look good both with the lamp’s bulb shining through the shade and when the light was off. This got me thinking about silhouettes. I also decided a modern floral pattern would “girl up” the lampshade enough to go with the lamp. Your silhouettes might be stick-figures for a children’s room, simple spirals, complex faces, or anything else. It depends on the lampshade, its lamp, and your personal taste. Here’s a detail from the finished piece:

Final2Edit

Lumiere and Neopaque are opaque paints, which are needed for silhouettes, and these paints look great when no lite shines through a shade. They also work on either paper or cloth shades, allow precision of line, and create a crisp edge for silhouettes. Below are the yummy colors I chose for my floral design. (Helpful hint: Yes, the following pic is in my kitchen. Stalling a project for lack of space might stall it forever.)

Supplies2

The shade needed more: gold Jones Tones Foil Paper was perfect for the lampshade’s lovely cream paper, which has fibers in it like homemade paper. What color foil would best accent your particular lampshade?

Foil

Sketch your design. Take time deciding what you want. Myself, I like combining modern, masculine aesthetics with vintage girlishness. I played around til my design was feminine, but bold and simple so that it wouldn’t look over the top girlie, once it was combined with the milk glass. (Helpful hint: Make a design sparse, so light still shines through the shade to illuminate the room.) My final sketch gave me rough guidelines for style and placement, but you may prefer exact plans:

Sketch

I painted the dominant lines from the sketch. (Helpful hint: You’ve an ad hoc painting stand; put the shade on a lamp, and turn the lamp as you paint.)

FrontDesign

I improvised the rest of the dominant lines. But you might want to plan them or make a repeating pattern.

Turning

Unless you prefer brush strokes as part of the silhouette, you might have to go over a line a few times, to fill it in and create a strong sharp line:

FIllingIn

I plugged the lamp in to see how the initial work looked with the light on, and realized I didn’t need to add the purple Lumiere that I’d planned.

CheckingMainLines

So I moved onto the next thing I’d planned: Pearlescent Magenta Lumiere accents. I didn’t make them completely opaque, but I love the way they look. Had I cared, I probably could’ve gotten 100% opacity. Then I realized the pale green Lumiere I’d planned was not quite right and chose a medium green Lumiere. (Helpful hint: All in all, I used three sizes paint brushes but a size-two would have been fine alone. My others were only a bit smaller or bit larger.) After adding the green, I checked again. Here is how it looked:

LumierCheck

Next came foil, which I’d never used. It is so stunning that it astonished me. (Helpful hints: 1) After removing the shade from the lamp, hold it so that the part you’re about to put glue on is basically horizontal, because the glue falls straight down from the tube. 2) Do not be intimidated. The foil glue bottle is easy to use as a pen. If you want to stick to something simple, drops of glue become strikingly gorgeous gold accents.)

ApplyFoil

Examine your shade to see what else is needed. In my case, it was a Tee Juice fine point pink marker, to connect the different pieces of my design and add subtle dimensionality. Tee Juice pink, which is not opaque, was quiet on tan paper: the nuance I needed. Be forewarned, it only shows a bit when the lamp is on. But light-on and light-off make for almost two different lampshades, and I only felt the need for Tee Juice on the light-off version.

TeeJuice2

More pics of the final lampshade below. My hope was an illuminated mystic garden. What do you want to create from your old shade?

FinalCollage

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Be

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Be with how you feel, right in the moment.

Be with how you are, right in the moment.

Be with who are, right in the moment.

Humans have a lot of “shoulds,” ways we think we have to be if we’re to feel happy. But if you sink into to who you are in the moment, you find within your being the gifts you need to be happy. The Universe has already given them to you.
_______________________
I am delighted to announce Archetype Coaching in a one-hour appointment—instead of only as part of something else (e.g., a class)—as has been the case til now. http://stardrenched.com/archetype-coaching/

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Greater than the Sum …

Finished painting—Francesca De Grandis

Finished painting—Francesca De Grandis

Greater than the Sum of Its PartsCombining Techniques:
Tutorial and Painting in Honor of Goddess Brigid

Detail of finished painting—Francesca De Grandis

Detail of finished painting—Francesca De Grandis

You can scroll past the tutorial for Product and Purchase Info. Click pics to see em full size and un-blurred.

I like to combine different techniques. Each technique or product has its strengths and weaknesses. Combining approaches provides more opportunities for self-expression.

This T-shirt is an example. What better than a piece honoring the multifaceted Goddess Brigid, the patron of hearth witches, healers, poets, metal smiths, and more?

Looking through my supplies, the only way to get a few of the colors I wanted was to blend Dye-Na-Flow. So I started the t-shirt with Dye-Na-Flow, blending some colors and using others as is.

The muddy beige lines in the following pic are a resist that provides a border to keep Dye-Na-Flow from spreading willy-nilly. This resist washes out.
Starting

Here’s the finished Dye-na-Flow—my first layer of creating the shirt—after it has dried, been set, then shirt washed to get out the resist. Ready for more painting:
FinishedDynaflow2

Next step: I drew with Jacquard’s Water-Based Silver resist. It has a lovely metallic quality:SilverResist2&3

If your efforts don’t result in what you envision, adding other techniques or products can bring the piece to life. Using various approaches helps a piece culminate. Example: Despite the T-shirt’s swirls of Dye-na-Flow and silver resist, adding blue lines finally made the windblown look I wanted. I used a fine point Tee Juice pen:
TJ2&3

I added others detail with green Tee Juice: On Brigid’s day (February 2), the wind blows cold but green buds may start to show.

After the TJ and silver resist dried, and I’d set them, I added Lumiere Super Sparkle to bring frost and snow to the wind:
Lumiere4&2

I wanted more wintryness = add another product. Mixed three Pearl Ex colors (into Jacquard’s Colorless Extender) for the color I wanted: a subtle and soft lavenderish pearl, which I applied and set.
MixingPearlEx

Detail of finished painting—Francesca De Grandis

Detail of finished painting—Francesca De Grandis

Product and Purchase Info: Gildan Ultra Cotton XL men’s T-shirt, 100% cotton. Initialed and dated by artist. Hand washable. Free S & H. I only ship within the U.S. Purchase in my shop.

Original Faerie design. Trance painting. If this item calls you, grab it. I’m almost constitutionally incapable of repeating my designs.

Vision: Be the altar. Drape yourself in magic. This painting is in honor of Brigid, but you may see different magic in it, because all magics are related, all magics are one. Perhaps for you this is an ocean wind, a devotion to the Ice Queen, a year round ritual robe, a sacred garment to wear for healing, or…?

Frame, wear, or do both: Display on a rod slid through the arms—an easy, modern presentation to bless your home, and allowing you to quickly remove the shirt for wearing.

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May My Shamanic Visions Not Diminish My Serving as a Shaman

imageMy visions are dear to me. They are more than ecstatic, they are also my life’s sustenance. But as amazing as I experience them to be, that is only my experience. Therefore, they must not imply rules for others. Visions—no matter how mystical and heartfelt—must not diminish my moment-to-moment mundane-vision regarding the actual needs of my clients and students, must not blunt my hearing to the needs they state (as opposed to my opinion of what they need). So I pray, “Spirit, may each thought regarding one of my students or clients—or even potential students and clients—focus on serving their needs, not on any grand agenda I might have regarding You. Spare me from false ego. Help me always see the best way to serve. Whether someone is suffering or on top of the world, show me how my services as a shaman can help them in their actual circumstance and mindset.”
_______________________
I am delighted to announce Archetype Coaching in a one-hour appointment—instead of only as part of something else (e.g., a class)—as has been the case til now. http://stardrenched.com/archetype-coaching/

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