DIY Rubbing Plates

An Upcycling Fabric-Painting Tutorial, with Shiva Paintstiks

3rdRub8a WT
3rdRub6WTClick on smaller photos to see em larger and clearer.

You know how rubbing a pencil over a tombstone makes a picture on paper? You can buy rubbing plates for fabric.

But, wanting my own designs, I made plates by painting old CDs and CD cases with Jones Tones metallic fabric paint. The paint’s thick 3-D lines are perfect, and also will not get dislodged when rubbed—it holds fast to CDs and CD cases.

There was lots of trial ‘n’ error: I made 40 plates, tossed ten, and salvaged many of the remaining ones by touching them up. (Yes, I got obsessed.)

RubbingPlatesWTBut do not be discouraged from making plates. Most of my first ones made fun rubbings. Besides, I already made a lot of mistakes for you, you can skip em. 🙂 The suggestions below are learned from my errors and successes.

Don’t make a crazy number of plates right off the bat. Make a few, try em out, learn what you did wrong before making more.

Steal your children’s CDs. Just kidding.

RbngPlts1WTMake thick, high lines. This might require going over them a few times. If a plate doesn’t work well, building a few lines higher can make the plate satisfactory.

Simpler is often better and can produce gorgeous rubbings—eg a heart, spiral, or daisy-like flower. Some of my detailed attempts produced a mess on fabric. However, I was able to repair some of those plates; this post has ideas on how to do that.

Blous4Barb4WTDon’t try for a detailed plate at first, but for an overall shape. But I got better at details after a while, and hope to get really good at it someday.

Paint the front of cd cases, bc the back’s edge has a lip that the Paintstiks can easily rub against accidentally, making an unwanted mark on the cloth.

Let paint dry a few days before using it for a rubbing, or it might smoosh.

Practice rubbings on rags or paper, so initial mistakes are on an inexpensive surface.

I needed a little practice to learn: how to make more than a few simple plates; how to actually do a rubbing; and how to use Shiva Paintstiks (which were totally new to me). But the process is fun, the results worth the efforts, and the learning curve fast.

WoodsyOutlaw4WTThe learning curve to improve further has been fast too. I think time and practice continues to make a diff, bit by bit.

While you’re waiting for your rubbing plates to dry, be sure to check out some Shiva Paintstiks basics from Shelly Stokes.

There are also good vids online about how to use a rubbing plate.

I made decent plates before I realized the following, so make something pretty for yourself with your intial plates, before applying my more complex instructions below. That will motivate you to pursue this further. Trying too much too soon can result in total discouragement. But if you end up obsessed with improving your plates (moi?), check this out:

* Since simple works well, I made some plates that combine simple shapes. Like a cluster of hearts. Or a vine of leaves.
* Doubling a line is good, e.g., two concentric outlines of a leaf very close to each other. If the Paintstiks doesn’t hit one line when you’re rubbing, the other line might get hit, giving the overall impression of the leaf.
* Also try double lines widely separated—they are pretty. E.g., concentric hearts.
* It doesn’t matter how nice the plate looks, what matters is the impression it gives when rubbed. That’s self-evident but its practical applications took me a while to figure out, though I’m a quick learner. So this might shorten your learning curve:
*Look carefully at each line, three dimensionally. For example, I often discovered big bumps at a line’s end, which would take the paint when a Paintstiks hit them but also block the Paintstiks from hitting the rest of the line.
* In that vein, the main lines of a figure can get obscured. When I added secondary lines, they’d often be more raised at the end that touches a main line, and thus block main lines from getting hit well by the Shiva Paintstiks. After you paint the whole figure, examine main lines and perhaps build them higher. It is fine if secondary lines get somewhat obscured as long as main lines are clearer.

WldChldTCollageWTMy blog on experimenting with oils shares more of my experience making plates.

Thank you for reading about my attempts at making rubbing plates. Do post your experiences, I would love that so much. We can learn from each other.

MidnitGrdn3WT

EtsyBotmBnr

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I Own My Throne

The series of paintings and the poem after it are not interchangeable. I was going through a profound personal experience, some parts of which I could express best by painting, and other parts I could express only through lyric. (And most parts I feel I did not convey at all, though I suspect it is all implied … so I guess I did convey it …No, wait, there is still way more, but this is just one blog post, so I will leave it at that.) But the visuals and poem do go together, to create a larger whole. I may not be finished with the paintings yet, am still deciding. Would love feedback.

Click a graphic to see it more clearly.
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I Own My Throne
Francesca De Grandis, 2013

Place yourself upon a throne.
Bow down to yourself, the Queen.
Next, place a part of yourself that you have rejected onto the throne.
Whether it is the child, goddess, fat girl, loser,
quitter, matriarch, whiner, singer, scaredy-cat, bitch,
dancer, lover, artist, mother, merchant, choose just one, for now.
And put her on the throne.
Bow down before her, the Queen.

EtsyBotmBnr

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Accessories for a Stylish Faerie

KaScarf2Kathleen, here’s the scarf, for your yay or nay. Click on pics to see em bigger and clearer.

I want you to have something you adore and that fits in with your wardrobe, so that you can wear it bunches.

So if you don’t love it, I’ll make you another.

100% silk, crepe de chine, 12 mm, 53″ x 10.” Washable one-of-a-kind art.

For this painting’s “canvas,” I dyed white silk a mottled olive green. The mottling provides textured background for hand painting. I’m having a hard time getting good photos—there are few overcast days lately. So am shooting in the shade, ugh. Which means the photos may not show how rich the green is. I mixed it myself and, although, it’s olive and very dark, it’s gorgeously rich, especially on the crepe de chine.

KaScarf1After dyeing, I hand painted freehand.

It came out unexpectedly folky and, between my pallet and the rest of my style, in an unusual and modern way. I did not expect it to be Faerie tale-like, but I should’ve, since it is by a fantasy artist for a fantasy artist, and I intentionally chose a palette that I think of as “a faerie tale palette.” Duh!

This photo is very dark but shows the painting well.

This photo is very dark but shows the painting well.

As soon as you decide, I will pack up your little box of fashion accessories, you stylish Faerie. I am always excited when you want me to design items to make for you, since you make me so many cool gifts.

PS The leather cuff I made you is in the banner below. I am glad you wanted a scarf, bc it delayed my shipping you the cuff long enough for me to finally get a half decent photo of it. I love all this sunshine this year, but it is so bad for photos!!

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♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥
EtsyBotmBnr

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Ride Eagle

RideEagleWT

Click on the graphic to see it and its text larger and clearer.

Ride Eagle

Without realizing it, I’m always bobbing and weaving, in case someone throws a blow. This exhausts me; I’d be less capable of defense if attacked.

I discover a phantom self who wants to remain indomitably hidden. I welcome her into the circle. She realizes she is queen, terrified, and alpha. She sees her good traits and bad. She insists on staying hidden for now.

Self-care—yummy meals, naps (under a blue sky!), early bedtime, pink lipstick—is profound healing. But she won’t allow it enough, she might be seen. I will not rush her.

Is it her who makes me forget other parts of this story? Are they crucial, showing core aspects of this problem and its solution?

Eagle invites her companionship. They are both shocked when she leaps on Eagle’s back and rides ecstatic.

Eagle carries me, safely, always. I need not bob and weave.

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Etsy’s Treasury Policies

Hiya, I just sent the following letter to Etsy support but wld luv feedback about it from my awesome community, thank you!! (My letter refers to treasury lists. If you do not know what they are, here is a recent one I made: https://www.etsy.com/treasury/Nzc0MTcxMXwyNzI0NjgxMTY0/pixies-faeries-and-other-sprites?ref=pr_treasury ) Here is the letter to Etsy:
*******
Thank you for all your work. Etsy is a wonderful resource and great community.

I care about this community, so i hope you will change your suggestion that sellers not include any of their own items when they make a treasury.

Many of your sellers are women. Women often need encouragement around self-promotion. Instead, your suggestion “Don’t include your own items. Spread the love!” implies that self-promotion is wrong and keeps love from spreading.

If people offer beautiful objects, they spread their love by promoting their wares.

Promoting fellow Etsy sellers should not require doing no promotion for oneself. It would be another story if one made treasuries entirely out of one’s own inventory.

I hope you change your suggestion to “Do not include more than one of your own items. Spread the love!”

Thank you again for your fabulous work. I hope this post serves you and the rest of our Etsy community, Francesca De Grandis
———
So, that is what I sent. What do you think? Pls post here, not on FB, so visitors see yr comments, bc your thoughts r important. Thank you!!!!!!

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DIY Wardrobe

I am happy. Can’t afford to buy many clothes but, bit by bit, have up cycled, stitched, and painted cloth, until I have more and more days like today. I’m wearing a blouse I painted and bloomers I made from an old blouse of mine. I feel comfy in the heat and adorable.
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Throw your heart into it…

imageThrow your heart into it, and the rest will follow.” —Velveteen Rabbit.

That’s one smart bunny.

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My Heart’s a Drum

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My Heart’s a Drum
(Francesca De Grandis, 2013)

Sun bright, stars near,
may my kindred spirits hear
the call I make—my heart a drum
that’s calling tribe: “Come! Come!”

Come! There’s a Faerie Solstice ritual on Monday June 24, from 3 to 4:00 PM EST.

The event is a group phone call. Free and open to all. (Your long-distance charges apply, and appear on your phone bill). No experience needed.

To participate, call 1-712-775-7000. When prompted, enter 1095248#. Dial a few minutes before 3:00; it can take a bit to connect, and latecomers are not allowed.

I’m calling tribe: “Come! Come!”

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Marketing Is Simply Reaching Out to Serve

Market Your Work by Reaching Out to Serve

Update, June 2020:

1) Revisiting this post from seven years ago, I continue to see how marketing your services or goods can be scary and sometimes met by anger or other hurtful responses. So I’ve added a few more solutions I hope you find useful.

2) If any of the ways I market sound too foo-foo to be practical, I can assure you that using magic and running an ethical business helped my book Be a Goddess! become a longtime bestseller and allowed me to pay my bills by being a professional shaman for decades. Magical spells can be practical. Ethics don’t leave you lagging behind the competition.

This post uses my personal experiences marketing shamanic services as a jumping off point to write about problems and solutions that can be relevant to whatever heart-filled service or product one wants to market. Also, my tales build the ground work to share here a bit of my philosophy that helps me overcome challenges discussed herein.

Many people react negatively when I promote my shamanic classes or services. There is such corruption in modern marketing that they assume my motives and marketing methods are the same as that of the endless unethical sales-pitching creeps they’ve already met.

I don’t blame folks for their suspicion, but it still upsets me. For me, marketing is simply reaching out. Reaching out and letting someone know, “Heya, I might be able to be of service.”

I want to help people.

Francesca De Grandis, 2013

Francesca De Grandis, 2013

I also get criticized for being passionate about my work. I love that what I do really helps people. I also tremendously enjoy the work itself. Not that it’s always pleasant or easy. The work can be very difficult, for example when I’m guiding a trauma survivor. But even if I’m crying in empathy alongside the survivor, I’m grateful, because that person and I are in the real together. For that moment, we are authentic, honest, powerful, and moving forward. We are in deep connection with each other and cosmos, no matter how painful it might be for us.

But when I reach out to offer help (AKA am marketing), my passion is often misinterpreted. Decades of sales hype makes authentic enthusiasm suspect.

Expressing passion and offering help make one utterly vulnerable. I stand defenseless. Heart-based promotion is putting yourself out there nakedly. So when my sincerity is met by angry accusations, it can wound, discourage, or simply exhaust me.

However, my Gods take care of me, sending me the healing and strength and human camaraderie I need.

My Gods told me the shamanic gifts they’d given me were to be my 9-5. They added that, unless I strenuously reach out to offer my services (italicized words are my definition of vigorous marketing), I am hiding them, not being responsible to community. I can’t serve anyone unless they know the stats about my events. They also need a sense of me, because spiritual work is so personal.

So I reach out. With offers of help and info about who I am.

Selling art is not new. It is as old as art itself.

Marketing your services as a healer is not new. It is as old as healing itself.

Marketing shamanism is not new. It is as old as shamanism itself.

Selling jewelry is not new. It is as old as jewelry itself.

Any goods or services that come from the heart have been marketed for as long as they’ve been in existence. In every case, marketing is simply reaching out, driven by Gods, driven by a gift that seeks a giftee, driven by a passion for being of authentic service.

Here’s more support for you to market the gifts you’ve been given by the Divine:

Spiritual and Magical Ways to Market What You Love to Do

1) Stand emotionally naked before your Divine Caretaker, ask for strength to offer yourself to others, whatever your gift, whether it is spiritual healing, baking cookies, crocheting, or anything else.

The Gods are smart. They give us talents that help others while helping self; we are blessed that, each time we serve, the gift we give wraps itself around us and kisses our own foreheads.

Be naked.

The Old Gods are pure magic. Asking for Their help wraps you in a magic that carries you toward your desired goals.

Sales magic!

2) Check out my Affirmation for Speaking from the Heart and Letting Go of What Other People Think. The post also has related ideas: https://outlawbunny.com/2020/01/03/do-what-you-believe-in-speak-from-your-heart-and-dont-let-judgmental-responses-stop-you/

3) Society’s wrongful division of the material and spiritual fuels the widespread belief that we should not earn our livings doing what we love. As a result:

* That schism might be in your psyche.
* Or you intellectually know better, but the schism remains emotionally, defeating your career success. E.g., you emotionally feel like you’re doing something wrong when you try to promote your work.
* Or people’s insistence it is wrong to earn—or impossible to earn—your way doing what you love has diminished or even crushed your fire to serve others in your ideal profession.

If an item in that list feels relevant, get my book A Sacred Marketplace: Sell without Selling Out or Burning Out. It has shamanic material to heal those problems and other inner blocks to success. Available only from the author here: https://outlawbunny.com/2015/10/15/a-sacred-marketplace/

4) Do you need support to face your inner blocks to marketing? I’m here for you. Make a shamanic counseling appointment.

If you already reach out, I praise you. Do you need support to do it bigger, more easily, or otherwise improve it? Make an appointment. I’m here for you. I have the background and down-to-earth mindset to channel both ritual empowerments and sound marketing ideas for you, should you desire.

5) Be kept abreast of my upcoming marketing and other courses: subscribe to my free newsletter. Even my shamanic courses that don’t focus on business still boost your career; the shamanism I teach helps you keep growing, showing up for life, and being of service, all of which helps with all your life goals, big time, whether professional, romantic, creative, or other. To subscribe, click this box:

Click here to subscribe to my newsletter

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A Happy Scarf and Tsukineko All-Purpose Ink

SCrfDone2WOBTsukineko All-Purpose Ink makes fabric-painting easy. Learn All-Purpose Ink (API) basics by painting a scarf, using the Colors in Bloom Set.

First wash a Light Jersey Circle Scarf, no fabric softener.

Then, iron the fabric (for more controlled paint strokes). Do not iron out the scarf’s stylish rolled edge. It will eventually re-roll, hiding any design you apply.

Cover your work surface with absorbent paper, e.g., opened-up brown paper bags. Over that, lay out the scarf right side up, best you can. Being a circle, it will not lie completely flat:Ready

Use the pink and green inks from the Colors in Bloom Set to paint large swirls and sweeping lines. (If you prefer, first sketch these with a Jacquard Auto Fade Pen.) Shake ink well. Get a bullet pen from the set, and dip its soft tip into one of the inks, which will soak up into the barrel:WickingPen

To apply API, gently draw the tip across the fabric. Have fun making large extravagant lines. Do not worry about your artistry: See the bulleted list below. Flatten out sections of the scarf to draw on as you go. It also helps to use your non-painting hand to stretch taut whatever bit of cloth you’re painting. Make thick lines:LargeMainLines

The kit’s packing material is also a convenient pen stand:Packing

This scarf was my first encounter with Tsukineko’s API. I’d assumed ink would spread willy-nilly, allowing me very little control, but got a great surprise. The ink stayed where I put it, it didn’t run! (I am utterly thrilled!)

However, that meant painting really thick lines was taking too long. I tried a fabric brush instead. Painting went quickly, and I discovered API is great with brushes. But use the pens if you prefer.

I left plenty of white space so that, next, I could put detail in it.

Detail: Use purple ink in a bullet tip for smaller swirls and sweeps. Then fill in more white space with even smaller swirls and sweeps, using blue ink in a pointed tip. If you want, sketch the detailing first with the Auto Fade Pen.AddedPurplWTFinis2WT

Don’t try to heat set API if it is soppy, but it needn’t dry completely. Cover the ironing board with a cloth. Ditto the scarf. Use a dry iron, hot as the fabric will allow (this scarf is 100% cotton), for approximately 2 minutes per side. Then let the scarf sit about a week to cure, after which it is washable. It is easy to make this circular scarf flat for ironing, by doubling it: Note photo below.

To heat fabric sufficiently for setting API, break the cloth down into segments a bit larger than the surface of your iron. Iron that segment for two minutes, keeping the iron moving (so you don’t burn the cloth). Repeat that process til that whole side of the cloth is ironed. Then do the same on the other side. In other words, as it was explained to me: Measure the segment to be ironed for two minutes as a bit bigger than your iron, which you move round and round, an inch to all sides for two minutes.
Dbld4Ironing
Clean brushes with soap and water. The disposable pens can be reused after being washed with soapy water.

If you’re last name isn’t “Picasso,” or you find fabric-painting intimidating, this is your project:
* API is easy to use.
* When worn, a circle scarf’s imperfections are hidden: A lot of the ink you apply becomes covered by folds.
* The way a circle scarf hangs on you requires sweeps of color and general impressions, not precision or exactingly “correct” designs.
* Since the scarf is forgiving of mistakes, it’s great for learning on, but still ends up a wonderful accessory.
* All your colorful sweeps and swirls make a scarf happy. It will thank you by looking pretty when you wear it.

Have fun! And here is my finished scarf, can you tell how happy it is feeling? Finis3WOB

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