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Faerie Shamanism: an Ecstatic Path

Third Road Faerie Shamanism:
An Ecstatic Path

A Seven-Week Teleseminar, 2018

The Goddess proclaims,
“All acts of love and pleasure are my rite.”

The Generous Sun, Francesca De Grandis, 2013

The Generous Sun, by Francesca De Grandis, 2012

Are you trapped in gray dullness and want to break through to joy and fulfillment? Or maybe you enjoy life full-tilt but want to take it up a notch? Or perhaps you’re somewhere between trapped and already happy?

If your heart feels called by a Pagan path of joy, prosperity, beauty, self-worth, and confidence, and you want ecstatic experiences, this teleseminar (class via group phone call) provides experiential wisdom-lessons available nowhere else. Click here to enroll.

Learn the skills and rituals of a practical mysticism that increases pleasure, abundance, and peace. Gain the material satisfactions of an ecstatic practitioner and embrace wholeness, without being snared by addictions or illusions.

Be led in an adventure: an internal exploration toward your fullest self. You’ll discover—or discover new layers of—your power to celebrate life, sexuality, and sacred playfulness. During our journey, the Gods guide you safely and compassionately through life’s challenges.

Curriculum includes ecstatic ritual, Faerie cosmology, theoretical basics of Celtic Shamanism—Third Road Faerie style—and some of its more complex aspects.

The lessons also help you discover or deepen your Fey magic: Celtic Faerie Shamanism expresses itself differently in every practitioner. My job as a teacher is to help you build that personal expression, while I also provide techniques for your magical tool box.

Are you on a unique journey? This course steadies your feet.

Lessons are suitable for novices and adepts.

An Ecstatic Path is a prerequisite for advanced Third Road training.

Classes are group phone meetings: just dial the phone to participate.

SunnyDotThe group meets seven consecutive Tuesdays, 6:00 to 7:00 pm EST, starting Tues, February 6. Reserve Tues March 27, same time, for a makeup class in case I am unavailable for one of the planned sessions.

SunnyDotTuition is $250. Pay half price, if you’ve taken this class before. Your particular carrier may charge you for the calls. Click here to enroll. Upon receipt of payment, your place is reserved, and event phone #, etc., emailed to you. No refunds. For more info, or to discuss scholarship, trade, or payment plan, call me: 814-337-2490.

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The Figa: Healing the Wounded Anima

We can gain our fullest possible power to use in our careers, family, magic, and the rest of life, to create a better world for oneself and for All Our Relations.

FigaWSacrdRysOB

Everyone has a female aspect, which is called the Anima. An oppressive society has wounded the Anima of almost every person, because this can disempower an individual in every arena of their life. Every arena.

Though I’ve never read it anywhere, it seems obvious that the figa, which is an Italian good luck charm, must have once symbolized having potency in all parts of life: family, career, creativity, social action, spirituality, magic, …

The figa is in the shape of a closed hand, to represent female genitals.

I had the idea of taking my recent painting of a figa and adding shafts of sunlight extending out, radiating from the closed hand, the way they would in a depiction of a Christian saint’s face, those rays of light that represent Divinity and Divine power.

My hope was such a painting would convey a sacred primacy of the feminine force. This doesn’t exclude the primacy of the male force. I’m not going from one extreme to the other here.

In other words, the painting includes the Feminine in the Divine, not as secondary, God’s little helper, but as a force unto Herself, in full power.

In this full power, she helps all genders embrace their full authority in career, family, sexuality, creativity, and any other arena of life.

Female genitalia given such primacy visually seems a healing balm, so the Anima is freed and made whole. This gives an individual more power to create a beautiful world for oneself and for All Our Relations. So mote it be.

For more of my experiences with and theories about the figa amulet, read the post The Figa: Reclaiming Women’s Power and an Italian Amulet: http://stardrenched.com/2017/09/14/the-figa/

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Our Bodies Are Sacred

All Our Bodies Are Sacred,
Exactly as They Are

Knowing our bodies are sacred can give us greater confidence in our physical, emotional, intellectual, and creative competency.

A figa is a talisman for protection, good luck, and fertility. The amulet is shaped like a closed hand to represent a woman’s genitals.

My recent post The Figa: Reclaiming Women’s Power and an Italian Amulet shares:
* my belief that the amulet also symbolizes female empowerment
* my reaction to finding a figa pendant that is feminine and elegant
* the implications of figas usually looking like a man’s hand and being coarsely rendered.

Click here if you want to see the post: http://stardrenched.com/2017/09/14/the-figa/

That new pendant and what it meant to me impelled me to paint a figa. I wanted to render one that is feminine but in a different way than the one I bought. Here is my painting:

FigaWColr

It is based on my own hand, which is not what some people think of as feminine. But it’s my hand: strong, somewhat androgynous, a hand that does a lot of work, and has been weathered by it.

All our bodies are sacred, exactly as they are. All our bodies are sacred, each in their own individual ways. Our bodies are holy in all their phases and in every moment of the day. In these truths, we find power throughout the day and the seasons of our lives.

In knowing our bodies are sacred, we find powers that may seem unrelated to that knowledge. For example, we might find greater confidence in our reasoning or trust our hunches more. We might believe more in our overall competency when facing life’s many challenges, whether they are physical, emotional, intellectual, spiritual, professional, personal, creative, …

Goddess Diana, your strega thanks you. (Strega means a witch who practices traditional Italian magic. Diana is a Goddess many a strega honors.)

Check out The Figa: Reclaiming Women’s Power and an Italian Amulet: http://stardrenched.com/2017/09/14/the-figa/

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Not Postponing Joy

Enjoying the Gods’ Gifts to Me:

Not Postponing Joy

Whether building a life or a piece of art, sometimes it’s only in the process of creation that we discover exactly what we want to make, what we find beautiful and meaningful, and how to achieve it.

CplBd1
Bought a huge copal bead. It’s like holding sunshine and the rest of the cosmos in my hand. Was going to string it, but thought I might just use it as the best worry stone ever.

Couldn’t decide.

Then I quickly threw a temporary pendant together, using the copal, so that I’d have that beautiful sunshine on my person all day. This meant I could easily touch the copal throughout the day, enjoying its smooth, buttery, warmth against my fingers. I wasn’t crazy about the necklace, but adoring the necklace wasn’t the point. The point was to take my time deciding whether to use the copal as a worry bead, necklace, or whatever else, while enjoying the bead in the meantime.

It’s been a few weeks now. Guess what? I love the necklace, exactly as it is. Its simple design makes me happy. I’m keeping it as is.

CplBd2

The whole process got me thinking, and there are two lessons here for me. The first one focuses on the creative process. If an artist waits for the perfect idea before starting to create something, they might never manifest anything. Sometimes, it’s only in the process of creation that we discover exactly what we want to make, what we find beautiful and meaningful, and how to achieve it.

So if you’re stuck creatively because you lack the “right” ideas, just start making something, even if it’s not your ideal goal. The process of creating something will likely give you the exact ideas you long for.

The first lesson is fairly easy for me to apply, but the second one is something I have to really work at in some parts of my life. The second lesson is to apply the process outlined in the first lesson to all parts of my life: to create as full a life as possible, I want to work with what gifts my Gods have so generously given me, instead of putting off living until I have the perfect idea. It will come to me if I do what I can now. So mote it be.

BYABar4

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Wood-Burning and the Faerie Queen

Aug 16, 2017:

My wood-burning pen arrived today. Here’s my first attempt at pyrography:

Pyrgrphy1

Everyone says you should start by practicing on some crummy wood, but I have no patience for that. Plus, I think doing a test piece might make me nervous about doing any subsequent “real” pieces.

So I plunged in, despite the fact that I’d spent so long making the wooden bead I wanted to pyrograph that most people would tell me to not risk ruining it. I’d cut down wild rose that was taking over my property last year—the wild rose here is quite invasive—seasoned some of its branches for a year, then carefully cut a small portion off a branch—the photo shows how small. I did not have the right saw for such a tiny job, so sawing was quite a project unto itself. Then I sanded and drilled a hole in that wee piece to make a bead. Just … one … bead.

But, to me, test runs usually seem like a way to avoid living. And the bead was one of the few options I had at hand for burning.

Plus, I think I tend to learn more when trying to actually make something than by doing test runs. And 99 times out of 100, I have beginner’s luck: the piece in question turns out fine.

Honestly, I loved the bead before the wood-burning, and now I’m not sure what I think about it. But I’m glad I plunged in; now I’m hungry for more.

When I cut the wild rose down, the Faerie Queen was definitely present, blessing the wood as I garnered it. I look forward to the guidance She gives me about how to use my
first bit of pyrography, however flawed it may be. … LOL, if She wants me to bury it as an offering, and I’ve decided I don’t like it anyway, it’s a win-win.

… When a plant in my garden shows its first bloom, I usually leave it on the plant as an offering to my Fey Gods, instead of, for example, plucking the first rose to add to my tea. They’ve made it very clear to me They want that. Hm.

Here’s the other side of the bead:

Pyrgrphy1B

Like I said, I’m hungry for more. I’m going to find another piece of wood right now and burn it. … Ooh, I have a wooden spatula that I can’t use for cooking because it’s right handed, and I’m left-handed. That’s what I’ll burn!

Later: I decided what to do with my wood-burnt bead. I remembered that giving my old friend Kathleen Marshall my first bit of art when I’m working in a new form has become a tradition for me. So I’ve offered her the bead. It was a little hard to make the offer because it was so much work to make … one … bead …, even before I added pyrography. But my first is hers, in thanks for the support and guidance she has given me as a sister-artist.

I also see this as a way I am offering the bead to the Faerie Queen; I believe Her love of artists is expressed in anyone when they support an artist.

I love the bead now. Sometimes, when starting a new artform, I lack confidence, but all I need is a little boost. Here’s the boost I received:

Kathleen said she loves the bead. Since she’s quick to tell me when she doesn’t like something I’ve made, I trust her when she says she loves something. She also wants to make the bead into a necklace; that’s a big deal because she has impeccable taste.

It’s amazing how much just a bit of honest positive feedback can help. Her remarks gave me so much confidence in my wood-burning. Previously, I could not really see the bead’s virtue once it was wood burned, but once Kathleen said she loved it, I was able to see—actually see when I looked at it—the woodburned bead as a beautiful piece.

She made me so happy. And now I’ve mailed my bead off to the Faerie Queen aka Kathleen.

BYABar4

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Leather Ogham Pyrography

LeatherOgham

I made myself an Ogham alphabet set on leather, to use for amulets, contemplations, offerings, and divination. Plus, crafting the set in the first place was its own magical spell.

Thank goodness that some new wood arrived, and more is coming! I purchased a woodburning pen recently and, after doing pyrography on the few wooden items that I could reasonably consider for such a use, I am now hungrily eyeing my antiques, window frames, and every other piece of wood in—and of—the house.

Some might say I should go for it, but I know in my gut that, in my case, it … is … a … bad … idea. There are some things it’s wise to never start, because you know you’ll never stop. I don’t want a home in which every last inch is wood-burned.

Luckily, a neighbor gifted me some small maple and oak branches. I can’t adorn them yet because I’m waiting for a new saw suited to sawing wee branches into small segments. My current, mammoth saw makes the job incredibly time-consuming.

Plus my friend SnowStar is sending me some other wood. Thank you, SnowStar, Goddess bless you!

In the meantime, I thought I’d try my hand at pyrography on leather.

The photo shows the result. I think perhaps the leather is bow shot deer.

There are clearly varying degrees of skill in my leather-burning. (This is only my fourth attempt at pyrography.)

After burning some pieces, I switched to a finer point, which did a much better job. These are very small pieces of leather:LeatherOgham2

The scraps on the safety pin in the first photo are duplicates of other pieces, either “seconds” or intentional extras.

I thought I was going to send an extra to SnowStar, but since she’s sensitive to scents I’ve given up the idea. Be forewarned if you’re thinking of leather pyrography: the scent of burnt hide is so repugnant as to be almost nauseating! And the scent is not faint at all, quite the opposite.

I did wash the finished items in soap and water, and then rinsed them in water to which I added essential oils, said essential oils being also used for their magical attributes.

Then, I hung the leather bits outside to air, after which I sprayed them with an exquisite organic frankincense hydrosol, both for magical purposes and to moisten the little rumpled pieces of leather so I could safely iron them flat.

Their smell is okay now, but I suspect they would have to air outside for days to completely lose the burnt hide scent because it is strong. I brought them in after a few hours because I was impatient. I might hang them outside again.

I made them to use them as additions to amulets, amulets unto themselves, and as pieces for contemplation, offerings, divination, and more. I also felt the crafting of them in the first place would be both a contemplation and spell.

I put a hole at the top of each piece, which allows more variety of usage. The holes will also show me, when I’m tossing the leather for divination, which way is up for each figure, since many letters in the Ogham alphabet become a different letter when upside down.

BYABar4

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